Opening this year’s Rotterdam International Film Festival is Michael Imperioli’s directorial debut, The Hungry Ghosts, a gripping look at five New Yorkers all struggling to satisfy their physical and spiritual needs while facing down their own – and society’s – flaws. Best known for his Emmy-winning portrayal of Christopher on The Sopranos, Imperioli has over the course of his 20-year career worked with such top directors as Martin Scorsese and Spike Lee. He’s also built a sub-career as a screenwriter, having penned numerous episodes of The Sopranos and Lee’s Summer of Sam, which originally Imperioli was going to direct. For […]
For Terence Davies, his youth — his early years in Liverpool, his relationship with his mother, and his feelings about being gay in that working-class town — have always provided the raw material for his filmmaking. His celebrated “Terence Davies Trilogy,” a collection of shorts, and later features like Distant Voices, Still Lives and The Long Day Closes summon up for the viewer an interior life with a rare combination of lyricism and heartache. These films cemented Davies’s international reputation, but after two more, non-autobiographical features (The House of Mirth and The Neon Bible), he became less active, a development […]
Writer, director and producer Edward Boyce sent us this blog post about his experience attending Sundance this year as the producer of a short film. Short. Film. Bitter. Sweet. I’m four days into my life as a Sundance anointed short film producer. I’ve felt obliged to schmooz and glad-hand so much that I feel like a reluctant student-council candidate. And good luck trying to wash off some of the weird tinsel-slime that seems to linger on the fringe of the artistic core at Sundance. (Festival resolution #12: never willingly enter a “gifting suite” again.) It’s a big deal and it’s […]
Up there with Snakes On A Plane in the pantheon of catchy titles, Rosencrantz and Guildenstern Are Undead is a horror-comedy about Hamlet and the Holy Grail premiering in Slamdance this year. The movie stars Jake Hoffman, Devon Aoki, Jeremy Sisto, John Ventimiglia, Ralph Maccio and Waris Ahluwalia and was only the second East Coast feature film to use the Red camera. The film’s director, Jordan Galland, is a New York-bred renaissance man with deep and varied interests. At age eighteen, Jordan Galland started a band, Dopo Yume, which toured the world with Cibo Matto and Rufus Wainwright, and he […]
Noah Buschel’s The Missing Person stars Michael Shannon, last seen as the asylum-bound neighbor in Revolutionary Road, and if Sam Mendes had directed this film, he might have played it straight, disregarding the minefield of clichés to pay reverent homage to The Long Goodbye; Buschel knows what a bold move it is to make a noir in 2007, so he subverts the genre with un-ironic simplicity and a few tall guys hitting their heads on the ceiling. We meet Shannon’s character in his dungeon-like Chicago apartment. His cell phone is ringing; he’s a PI; he’s offered a lot of money […]
Leading up to the Oscars on Feb. 22, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Jason Guerrasio interviewed Vicky Cristina Barcelona star Penélope Cruz for our Gotham Independent Film Awards special section in the Fall ’08 issue. Vicky Cristina Barcelona is nominated for Best Actress (Penélope Cruz). Talking over the phone from London where she’s rehearsing her role in Rob Marshall’s film adaptation of the Tony Award-winning musical, Nine, Penélope Cruz sounds humbled when congratulated for being named one of this year’s Gotham Award Tributes, but […]
Leading up to the Oscars on Feb. 22, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Nick Dawson interviewed Waltz With Bashir writer-director Ari Folman for our Fall ’08 issue. Waltz With Bashir is nominated for Best Foreign Film. It’s been said that the job of the filmmaker is to put on screen things that have never been seen before. And while cinema is essentially an infant art form, these days there are still relatively few films that move into genuinely new territory. Waltz with Bashir, which […]
James Marsh has wrestled before with subjects — both fictional and real life — whose obsessions have fueled eccentric and, at times, even extreme behavior. In The Burger and the King (1996), based on David Adler‘s book, he chronicled Elvis Presley‘s lifelong habit of compulsive eating. Wisconsin Death Trip (2000), based on the nonfiction book by Michael Lesy, traced the origins of a bizarre strain of murders, suicides and odd happenstances in a small Wisconsin community of the 1890s. And in his debut feature, The King (2005), which Marsh scripted with Milo Addica, he dramatized a story of misguided faith […]
[PREMIERE SCREENING: Monday, Jan. 19, 3:00 pm — Temple Theatre, Park City] We set out to make a feature-length documentary DIRT! The Movie inspired by the book Dirt, the Ecstatic Skin of the Earth written by William Bryant Logan. When we started out on this project we were thinking of either a four-part television series or a feature-length documentary for theatrical release. We could either explore the subject as a topic as the book had done, or with a more traditional film narrative — in our case, telling the story of dirt and humans from dirt’s point of view. My […]
[PREMIERE SCREENING: Monday, Jan. 19, 12:00 pm — Temple Theatre, Park City] The Reckoning: The Battle for the International Criminal Court is the flagship film for a three-year Audience Engagement Campaign intended to get people around the world involved in international justice. While I was filming over two years across four continents in six languages, media possibilities exploded. So from the very beginning producer Paco de Onís, editor Peter Kinoy and I were thinking about how to create educational modules for the Web and adapt digital technologies for human-rights work. The result is that we and our Skylight Pictures Audience […]