A larger-than-usual Competition — 24 films — for its 2021 edition was announced today by the Cannes Film Festival, along with the Out of Competition, Un Certain Regard and other titles that comprise (for now) its official selection. Delayed from its usual dates in mid-May to July 6-17, the festival opens with the long-awaited Leos Carax Sparks-scored musical Annette and contains new features by Asghar Farhadi, Mia Hansen-Løve, Jacques Audiard and Nanni Moretti. Cannes also adds this year a new section, Cannes Premieres, containing films by festival veterans such as Oliver Stone, Kornél Mundruczo and Andrea Arnold. Among the American […]
Fifteen years ago I was touring the regional horror film festival circuit with my first feature when I discovered the work of John C. Lyons, a filmmaker based in Erie, Pennsylvania whose short Hunting Camp was one of the more inventive and compelling movies I encountered that year. It was also one of the most interestingly photographed, by cinematographer Dorota Swies, who formed Lyons Den Productions with Lyons in 2004; the two of them have been working together ever since. Their latest collaboration and first feature together is the environmental horror movie Unearth, set to premiere on August 25 at this year’s virtual […]
Back in the days when I used to distribute avant-garde cinema on home video, I asked my friend George Kuchar about releasing Hold Me While I’m Naked and a few other of his classic films on DVD. “I can’t let you do that, Noel!” he explained. “You see, my films are legendary because nobody can see them. If someone could just go out and rent one, they’d find out they stink. I’ve got to maintain the legend!” George was sort of joking. But there was a kernel of truth in his statement. Kuchar might have been wrong that his films […]
First Cow marks the fifth film in 14 years on which director Kelly Reichardt has collaborated with screenwriter–novelist Jon Raymond. I can’t think of a director–writer team in America that has produced so much superior work during this time period—Reichardt is one of the talents on whom hope for the creative possibilities of American filmmaking now rests. Like Reichardt and Raymond’s first partnership, the critically lauded, microbudgeted Old Joy (2005), First Cow is a lyrical tragicomic story of male friendship, emerging against the background of the almost intoxicating beauty of the Oregon woods. But this time, Reichardt’s telling a more […]
While release dates are often determined months in advance for a slew of reasons solely related to a film’s individual success, it’s striking to see how some can be placed in indirect conversation with one another. I recently revisited Carlo Mirabella-Davis’s debut feature Swallow just a few days after taking in Leigh Whannell’s feminist blockbuster adaptation of The Invisible Man. Both are about women in emotionally abusive relationships that have grown increasingly difficult to break free from. To complicate matters, each are pregnant with their lover’s child, and that the pregnancy is carried out to term is of utmost importance to […]
Since I’ve already compiled a shot-on-35mm dossier for each previous year’s US theatrical releases five times, it’s not super-surprising that as soon as the internet learned Detective Pikachu was shot on 35mm, a number of people eagerly tweeted at me to let me know/make sure it wasn’t missed in this year’s edition. Irony poisoning aside, that turns out to be a surprisingly productive place to begin. The official tally of films shot, in whole or part, on 35mm for calendar year 2019 is 27, the total shot solely on 35mm is 18; Pikachu intersects with a number of common refrains. One concerns […]
In Filmmaker‘s Fall, 1995 issue, producer Ted Hope penned a provocative essay, “Indie Film is Dead,” that critiqued multiple elements of the independent film financing, distribution and marketing system. James Schamus — producer, screenwriter and Hope’s partner at the New York production company Good Machine — responded in the same issue with this equally provocative piece, “Don’t Worry, Be Happy,” published online for the first time. — Editor Dear Ted, sure it’s the end of the world as we know it, but before the lights go out, I thought I’d respond to a couple of your points. “Acquisitions are driven by […]
“I can’t commit to a movie.” In the era of limitless streaming “content,” no phrase has more irrevocably warped our viewing habits. If a single film now represents a commitment, then a double feature might as well be a back-to-back life-sentence. Why trudge through all that first-act boredom, after all, when you’re already so behind on The Good Place? Despite the siren song of bingeable TV, the dual bill holds strong as a way to burn a night at the movies. Art-house theaters, digital programmers, and genre festivals still love them, as does any cinephile looking to hunker down with […]
“Can we make a film about the internet without showing the internet?” says Micaela Durand, explaining the challenge she and her filmmaking partner Daniel Chew gave themselves. This summer at The Shed the pair presented the results, First and Negative Two. Both short films explore desire in the age of online communication; the latter was supported and commissioned by the new Hudson Yards–affiliated cultural center’s Open Call series (First premiered at the International Film Festival Rotterdam). In addition to charting sex and dating in the Instagram and Grindr era, the films also subtly comment on what Durand and Chew describe […]
The less known going into Carlo Mirabella-Davis’s narrative feature debut, Swallow, the better. Haley Bennett plays Hunter, a housewife caught in a thankless, controlling marriage who, one day, decides to routinely swallow dangerous objects. Is it an act of self-harm? An aggressive display of marital defiance? Deliberately opaque at the outset, Swallow, which had its world premiere at this year’s Tribeca Film Festival and will be released by IFC Films next year, is a heady feminist concoction that barrels forward like a cross between the early filmography of Todd Haynes and the plays of Henrik Ibsen. Born in New York […]