Fall 2011
-
Super 8
1 hitRECord’s RECollection “Who knows, maybe in three years we’ll have hitRECord cinema!” This was Joseph Gordon-Levitt’s hope when we talked to him about his open-collaborative site hitRECord.org in 2009. Well RegularJOE, you did it in less than three! With the release of RECollection: Vol 1, Gordon-Levitt’s dream of building work with a community of artists from across the globe is becoming a reality. Featuring the films, music, drawings, poetry and photography of 471 collaborators (which have already been showcased at Sundance and SXSW), this hardbound 64-page book (along with DVD and CD) proves that Gordon-Levitt’s mission to create a […]
by Filmmaker Staff on Oct 23, 2012 -
Load & Play
Page One: A Year Inside the New York Times Magnolia Home Entertainment – October 18 Page One: A Year Inside the New York Times visits one of our nation’s oldest and most-read newspapers at a time of existential crisis. Directed by Andrew Rossi, this documentary focuses on The Times’ media desk, tasked to cover, among other things, the crisis facing journalists today due to the Internet. At the center of the film is David Carr, a veteran reporter and ex-drug addict in the midst of a lengthy piece about the collapse of The Tribune Company. The film incorporates events like […]
by Filmmaker Staff on Oct 23, 2012 -
Hard to Kick: On Videogames and Addiction
February 12, 2014: It was something of a watershed moment last weekend when Doug Nguyen, creator of Flappy Bird, the world’s most popular free app, pulled his game from the App Store. The app was estimated to have generated for Ngyuen $50,000 a week in advertising revenue. The problem? The game, said Nguyen, was addictive. He told Forbes, “Flappy Bird was designed to play in a few minutes when you are relaxed. But it happened to become an addictive product. I think it has become a problem. To solve that problem, it’s best to take down Flappy Bird. It’s gone […]
by Heather Chaplin on Oct 23, 2012 -
Toronto International Film Festival 2011
Toronto multitasks. It has to. The North American launching pad for second- or third-tier commercial releases with stars from lists A through C, the festival includes a rather high proportion of Galas and Special Presentations — a majority of them apparently uncurated. Many Torontonians, a cinephilic bunch, as well as peripatetic journalists and programmers, seek out more esoteric fare — almost all of it carefully selected by experts in different geographical zones (plus docs). Discovery, Contemporary World Cinema, Real to Reel, Visions, Masters, Mavericks, City to City: These are festival strands. The Galas and Special Presentations seem, well, booked. What […]
by Howard Feinstein on Oct 23, 2012 -
Karlvory Vary International Film Festival 2011
The Karlovy Vary International Film Festival (July 1-9) is in its 46th year, but as the premiere cinematic gathering in the Czech Republic it feels even older. The fest takes place in a tiny historic town nestled inside a country that’s seen both Nazism and communism, a spa resort popular with German and Russian tourists and famous for its abundant healing mineral springs. (Goethe and Beethoven were frequent visitors.) Karlovy Vary was also the first Czech city to screen the Lumière Brothers’ shorts back in 1896. (Over a century later it would serve as a location for one of my […]
by Lauren Wissot on Oct 23, 2012 -
New Age Viewing
Now in its 42nd year, the Film Society of Lincoln Center has been a hallmark of the New York exhibition scene and one of the world’s most esteemed presenters of international and independent cinema. With its annual New York Film Festival and New Directors/New Films, as well as the bevy of year-round repertory programming in the Walter Reade Theater since 1991, it’s a destination for cinephiles the world over. Earlier this past summer the Film Society moved its center of gravity across 65th Street to the new Elinor Bunin Munroe Film Center. A long-planned, state-of-the-art triplex that has been under […]
by Brandon Harris on Oct 23, 2012 -
Once Upon a Time
As the late ’60s wore on, African and African-American filmmakers began to descend on UCLA’s campus, recruited as part of a concerted effort by the university’s School of Theater, Film and Television to include more students of color. Among them were Charles Burnett, who arrived at UCLA to pursue a degree in film after thinking he’d become an electrician, and Haile Gerima, the son of an Ethiopian poet who had briefly studied drama in Chicago. They would be the lynchpins of a group of politically engaged black film students who ended up forming a subgenre of alternative cinema all their […]
by Brandon Harris on Oct 23, 2012 -
From the Rubble
I arrived in Kabul in late May of 2011 with seven weeks to realize two objectives—shoot a new video in the ruined Darul Aman Palace on the outskirts of the city and teach a one-month video workshop at the Center for Contemporary Art Afghanistan (CCAA). The CCAA is a small nonprofit, based in a dusty-pink villa on a side street in Kartechar, that offers classes for female students in cooperation with the Fine Arts Faculty of Kabul University. CCAA students typically spend their mornings at the university and their afternoons at the center. Like other such arrangements in operation around […]
by Mariam Ghani on Oct 23, 2012 -
Editor’s Letter
I was talking to someone about moderating panels and events, and I said the only secret is this: you have to assume the role of the audience member. You have to assume that if you’re bored by what the panelists are saying, your audience is probably bored as well and you should ask another question. But if you’re interested, they probably are too. I was really interested in what director Doug Liman had to say at Emerging Visions, a new RBC-sponsored partnership between IFP and the Film Society of Lincoln Center that was held just before we went to press […]
by Scott Macaulay on Oct 23, 2012 -
What Lies Beneath: David Cronenberg’s A Dangerous Method
Originally published in the Fall 2011 issue. David Cronenberg is a Tribute honoree at this year’s Gotham Independent Film Awards. A Dangerous Method opens in theaters Nov. 23. David Cronenberg’s new film A Dangerous Method is a period piece dealing with the personal and historical relationship between Sigmund Freud (Viggo Mortensen), Carl Jung (Michael Fassbender) and Sabina Spielrein (Keira Knightly). It’s a work that in some ways feels out of place in the Canadian filmmaker’s filmography, and in other ways, perfectly Cronenbergian. The screenplay by Christopher Hampton (who also penned a stage play from which this was developed) is meticulously […]
by Peter Bowen on Nov 22, 2011
