(Abel Ferrara’s 4:44 Last Day on Earth premiered at the 68th Venice Film Festival. It’s being released theatrically by IFC Films on March 23, 2012.) A number of recent films have collectively suggested that the more global, or even cosmic, the crisis, the more intimate the response. This was done most recently in Perfect Sense but also last summer’s Another Earth and, to a lesser extent, The Tree of Life, about which it might be more accurate to say that the cosmic is crafted from the intimate. (Melancholia breaks from this trend somewhat, and its cold remove is part of what makes it so disconcerting a film.) This art-house apocalypse continues in […]

Perhaps the chilliest press conference I ever attended, one in which the conflicts of the movie seemed to drift right off the celluloid into the audience and then back onto the stage, occurred when Abel Ferrara’s The King of New York played the New York Film Festival in 1990. I was thrilled by the film, particularly its concluding adagio, in which Christopher Walken bleeds out in the back of a taxi cab stuck amidst the traffic of Times Square. The lights came up, and Ferrara, Walken, Wesley Snipes and some others from the cast walked onstage. The questions were contentious. […]

(Before world-premiering in the dramatic competition at the 2011 Sundance Film Festival, Take Shelter was picked up by Sony Classics. It went on to win the Grand Prize at Critics Week, as well as the FIPRESCI Prize, in Cannes. It opens theatrically in New York City and Los Angeles on Friday, September 30, 2011. Visit the official website to learn more.) [DISCLAIMER: I am very good friends with several of the key collaborators involved with the Take Shelter production. Ordinarily, I would absolve myself from writing a review based on far more tenuous connections, but in this particular case, I […]