Arriving back in New York, a city with which he is synonymous, Abel Ferrara has been popping up everywhere the past few weeks: from the Tribeca Film Festival, where his documentary The Projectionist had its world premiere, to the Museum of Modern Art, where a near-complete retrospective unspools a half-century of unruly cinema through May 30. The victory lap comes as the Bronx-born expatriate, who now lives contentedly in Rome, ushers a cluster of new work onto screens, including the long-delayed domestic release of Pasolini, starring Willem Dafoe as the radical Italian filmmaker and kindred spirit, as well as the […]