I’m not sure whether or not Luca Guadagnino’s Suspiria is a masterpiece, but I’m certain that it warrants being compared to quite a few films that are. The one that immediately sprang to mind when the lights came up was The Godfather. With The Godfather, Francis Ford Coppola took the gangster movie and attempted to expand its emotional range and social and political themes without sacrificing the visceral pleasures of genre filmmaking. Guadagino’s Suspiria attempts to do something similar with the horror film, with a startling degree of success. Here is a curious fact of film history. Though horror movies […]
by Larry Gross on Sep 17, 2018In its first half, the Competition of the 72nd Venice Film Festival has been a let-down, failing to present a single truly great title. The Orizzonti and Out of Competition selections have generally proved a safer bet, and of course the excellent Venice Classics program, which so far included screenings of restored masterpieces by the likes of Fellini, Melville and Hou Hsiao-hsien, has been a reliable and most welcome morale boost whenever necessary. Following Birdman and Gravity in the last two years, the festival extended its string of star-studded, big-spectacle openers with Baltasar Kormákur’s Everest, a fictionalization of an infamous 1996 commercial […]
by Giovanni Marchini Camia on Sep 8, 2015