Aaron Hillis

AARON HILLIS RAISES INDIEGOGO FUNDS FOR HIS NEW VIDEO STORE

Last week I posted my interview with Aaron Hillis in which the Brooklyn-based curator and critic announced his purchase of Video Free Brooklyn, a Cobble Hill video rental store. In the interview he spoke of the fundraising campaign he needs to do to make the store viable again… and here it is. Check out the well-choreographed video and also the rewards he’s offering to his Indiegogo supporters. There are some hefty offerings here, including the entire Oscilloscope catalog and dinner with director Robert Downey, Sr., a private screening with actor David Cross, and Bobcat Goldthwait performing stand-up in your living […]
by Scott Macaulay on Jun 5, 2012
Film Programmer Aaron Hillis Buys Brooklyn Video Store

While in Cannes I bumped into critic and programmer Aaron Hillis, who told me about the new Brooklyn-based endeavor he’ll be starting upon returning home — running a video store. Hillis, who already programs reRun, the independent cinema and gastropub located in Filmmaker’s building in DUMBO (and currently playing Contributing Editor Brandon Harris’s debut feature, Redlegs), recently bought the established Cobble Hill business Video Free Brooklyn. At a time when the independent film world is obsessed with VOD, downloads and streaming, Hillis is time-traveling back to the world of plastic cases, late fees, and, on the more positive side, savvy […]
by Scott Macaulay on May 28, 2012
SHORT WATCH: HAMMER TO NAIL WINNER “ONCE IT STARTED IT COULD NOT END OTHERWISE”

Over at Hammer to Nail, Michael Tully has announced the winner for the inaugural edition of his monthly Short Film Contest. This month’s winner, Kelly Sears’ Once It Started It Could Not End Otherwise, is available to watch online, and it’s unforgettable; a nightmare-ish collage of refracted high school memories, manipulated yearbook photos, and an escalating sense of dread. You can stream Once It Started It Could Not End Otherwise over at Vimeo. My advice – don’t watch it at work unless you want your coworkers to see your terrified face. Previously supported by Rooftop’s Filmmakers’ Fund, Sears’ short was […]
by Jane Schoenbrun on Feb 22, 2012
A VISIT TO RERUN, BROOKLYN’S LATEST MOVIE VENUE

The history of moviegoing in New York City is quintessential to the survival of the medium. Manhattan alone provided a healthy nexus of theatrical activity at the beginning of the 20th century, and in that regard, little has changed. The city continues to host dozens of theaters, including more arthouse venues than almost anywhere else in the world. From the usual specialty releases regularly showcased at the Sunshine and the Angelika to the storied repertory programming at prestigious fixtures like Film Forum and Lincoln Center, New Yorkers have innumerable eclectic opportunities to expand their cinematic horizons. But movies without distribution […]
by Eric Kohn on Jul 26, 2010
TWO PREMIERES: reRUN and “AUDREY THE TRAIN WRECK”

Any new New York independent movie theater, one showing not mini-major studio moveovers but recently premiered festival films that don’t have formal distribution, is cause for celebration. But we at Filmmaker are hailing the new reRun for one other reason: it’s in our building. That’s right, after a long day solving the crises of the current indie scene, we can head downstairs and enjoy not only movies but pretzels filled with garlic mashed potatoes, popcorn with duck fat, and microbrews. That’s right, you can eat and drink inside this theater, which is down the hall from reBar. (Menu preview courtesy […]
by Scott Macaulay on Jul 22, 2010

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