Acting
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Back to One, Episode 101: Zach Woods
I remember when I first saw Zach Woods. It was in the Armando Iannucci film In The Loop. His comedic sensibilities matched so perfectly with what I demanded as a consumer of comedy—bold choices, molded in subtlety, grounded in reality. He has continued to morph and advance his style with unforgettable roles on The Office, Silicon Valley, and now again for Iannucci on Avenue 5, where he plays cheerful nihilist Matt Spencer, Head of Customer Relations. In this inspirational episode, we have a far-reaching conversation on his approach to the craft and the industry in general. Summary: the greatest comedic […]
by Peter Rinaldi on Mar 11, 2020 -
Back to One, Episode 100: Andrea Riseborough
It’s time we stop taking the preternaturally gifted British actor Andrea Riseborough for granted. She transforms so completely into her characters (appearance, accent, posture, mannerisms) that it’s easy to just believe she is the character and hard to measure her talents because we don’t know what “default Andrea Riseborough” is like. One thing is crystal clear though. She’s simply one of the best we have. On this, the 100th episode of Back To One, she talks about being surprised by the reactions to her chameleon-like abilities, how she uses the shooting environment (no matter how difficult) to fuel her work, […]
by Peter Rinaldi on Mar 10, 2020 -
Back to One, Episode 99: Lesley Manville
The brilliant British actor Lesley Manville has given us two of the truly great cinematic performances of the last decade, Mary in Another Year and Cyril in Phantom Thread (which landed her an Oscar nomination). But those are just two in a long list of living, breathing characters she has inhabited with subtlety, nuance and depth, both on the stage and screen. In this episode, she talks about her latest–Joan in Ordinary Love, her formative years with Mike Leigh, the necessity of director input, why she doesn’t want to take her characters home, and much more! Back To One can be […]
by Peter Rinaldi on Mar 3, 2020 -
Back to One, Episode 98: Zora Howard
Zora Howard is a juggernaut. She stars in Premature and co-wrote the script with director Rashaad Ernesto Green. Her performance has an assured authenticity and a new brand of quiet desperation that is remarkable for a first feature. She’s been an award-winning creator for years though. Plays, poems, spoken word performances. Her play Stew just closed off-broadway to great acclaim. I gush about it and ask where her love of words began, and which of these various paths of creation she’s anxious to continue down. She talks about the necessary step of taking off the writer’s hat in order to […]
by Peter Rinaldi on Feb 25, 2020 -
Back to One, Episode 97: Zoey Deutch
Acting wunderkind Zoey Deutch returns to the podcast on the occasion of the release of Buffaloed, the raucous indie she stars in (and produced) where she gets to flex her high octane comedy chops. We get into the weeds discussing comedy performance, she talks about striving to make her characters relatable, and about her love for auditioning (despite the hiccups). I delicately ask her what makes up the bulk of her now legendary script binder and she graciously explains. Plus much much more! Back To One can be found wherever you get your podcasts, including Apple Podcasts, Google Play, and […]
by Peter Rinaldi on Feb 18, 2020 -
Back to One, Episode 93: Marsha Stephanie Blake
Marsha Stephanie Blake destroyed me. Not just once, a few times. Her devastating portrayal of Linda McCray in When They See Us was justifiably recognized with an Emmy nomination last year. She talks extensively about one line in particular that really got to me in that incredible limited series. She also “kills” with comedy too. Like in The Merchant Of Venice on Broadway. She talks about obsessively studying Al Pacino during that run, and relishing her time with Viola Davis on this season of How To Get Away With Murder. She was on her way toward a career in medicine when […]
by Peter Rinaldi on Jan 22, 2020 -
Back to One, Episode 92: Adrian Martinez
He’s been called the “sidekick to the stars,” but a more apt, yet slightly less elegant description of Adrian Martinez is “scene-stealer from the stars.” Some recent thefts occur in The Secret Life of Walter Mitty, Focus, and Casa De Mi Padre. You can also see him in the hit ABC show Stumptown. Now he wrote, produced, directed and stars in the brilliant, timely, and deeply impacting new film iGilbert. On this episode, he talks about going “all in” to make that labor of love, how the psychological gesture plays a big part in his craft, the work ethic Philip […]
by Peter Rinaldi on Jan 14, 2020 -
Back to One, Episode 88: Miles Robbins
When I first took notice of Miles Robbins he was a stand-out among stand-outs in the surprisingly satisfying teen comedy Blockers. Now he presents another level of his talent in the very thoughtful psychological horror film Daniel Isn’t Real. In this episode he talks about the intense, emotionally taxing experience he had creating that performance, how not being scared is a key ingredient in his work, and the importance of connecting with the duality within himself and the universe. Plus he generously shares his feelings and frustrations with this “weird” endeavor called acting and all the hoopla that surrounds it. Back […]
by Peter Rinaldi on Dec 16, 2019 -
Back To One Episode 87: Aaron Taylor-Johnson
To say Aaron Taylor-Johnson puts 100% into every role is actually a bit of an understatement. He starts to live as the character months before filming begins. Then, when it’s over, it takes him months to “shed the layers” of the character before returning to himself. This might sound like a bunch of hooey, until you actually see the brilliance of the work and the fullness of transformation. He got his big break with Kick-Ass, spent some time in the Marvel universe, played John Lennon in Nowhere Boy, then won a Golden Globe for playing a psychopath in Nocturnal Animals. […]
by Peter Rinaldi on Dec 10, 2019 -
Back to One, Episode 86: Emily Beecham
Emily Beecham won the best actress award at this year’s Cannes Film Festival for her brilliantly nuanced and tightly focused performance in Jessica Hausner’s art house science fiction film Little Joe. Recently she played The Widow in the AMC series Into The Badlands, starred in Daphne, and had a memorable supporting role in Hail Caesar. In this episode she talks about the importance of connection, avoiding “attractive acting,” Mike Leigh, the strenuousness of intense physical performance, her Little Joe hair, and much more! Back To One can be found wherever you get your podcasts, including Apple Podcasts, Google Play, and […]
by Peter Rinaldi on Dec 3, 2019
