Ai Weiwei: Never Sorry
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“While I Knew the Music Inside Out There Was So Much I Didn’t Know About the Story Behind the Album”: Alison Klayman on Jagged
As perhaps one of the few people on the planet who managed to nightclub through the ’90s without any awareness of shooting star Alanis Morissette (her music just didn’t penetrate my punk/goth/new wave bubble) I came to Alison Klayman’s latest doc Jagged, part of HBO’s new Music Box series, with a positively clean slate. The film is an in-depth look at the Canadian-American musician-singer-songwriter-actress through an exhaustive amount of archival material, juxtaposed with straightforward interviews with the mercurial Morissette herself. (For those also in a Morissette-defying bubble, this would be a good time to state that the musician is not […]
by Lauren Wissot on Nov 18, 2021 -
“The Whole Mission of this Film was About Holding Bannon Accountable for His Actions…I Didn’t Ever Want Him to Succeed”: Alison Klayman on The Brink
If there’s one defining trait of Stephen K. Bannon, the executive chairman of Breitbart News and White House Chief Strategist to Trump before he was given the boot from both, it’s his ability to disconnect, to casually dismiss inconvenient truths. And director Alison Klayman (Ai Wewei: Never Sorry, The 100 Years Show) captures this aspect right from the start of her compelling globetrotting doc The Brink. Embedding fly-on-the-wall style with Bannon on his unite-the-far-right/self-promotion tour across Europe and through the mid-term elections of 2018, Klayman opens with a scene in which the Soros-demonizing champion of Charlottesville waxes rhapsodic about one […]
by Lauren Wissot on Mar 29, 2019 -
Five Questions with Ai Weiwei: Never Sorry Director Alison Klayman
Ai Weiwei has been a presence on the international art scene for three decades, but within the past few years the Chinese artist has become a superstar. His profile has grown for a couple reasons. First, he’s made large-scale works that have been seen by millions in London, Berlin and, recently, in New York City, where in 2011 Mayor Michael Bloomberg heralded the installation of Ai’s sculptures at the southeastern edge of Central Park. Second, Ai has used just about every means available—documentary films, photography, crowd-sourced art projects, newspaper op-eds and his Twitter feed, which had more than 155,000 followers […]
by Kevin Canfield on Jul 24, 2012 -
“AI WEIWEI: NEVER SORRY” | director, Alison Klayman
[PREMIERE SCREENING: Sunday, January 22, 11:30 am –Library Center Theatre, Park City] Working in radio journalism in college and then as a reporter in China, I fell in love with the power of aural storytelling. I always hoped to make a documentary film because I thought it would add even more layers to an audience’s experience. As a director I know my choices and authorship necessarily shape the film, but my hope is that good documentary filmmaking can come as close as possible to letting viewers encounter a story directly and decide things for themselves. Ai Weiwei is a master […]
by Filmmaker Staff on Jan 22, 2012
