Alex Lehmann
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Trailer Watch: Alex Lehmann’s Acidman
Watch the trailer for Acidman, Alex Lehmann‘s most recent directorial effort. Co-written by Lehmann and Chris Dowling, the film was produced in part by Liz Cardenas, who won the 2022 Film Independent Spirit Award for producing the Duplass Brothers’ 7 Days. This year, she was nominated for the Independent Spirit Producers Award. The film stars Dianna Agron as Maggie, a woman who decides to track down her long-estranged father Lloyd (Thomas Hayden Church), a recluse who’s been given the nickname “Acidman” by locals. Part of their reunion entails attempting to make contact with UFOs, a search that reveals difficult truths about Lloyd’s […]
by Filmmaker Staff on Mar 21, 2023 -
Making Blue Jay in Black and White
It’s been a momentous year for cinematographer Alex Lehmann, who successfully made the transition to director/DP with his first two features. His documentary feature Asperger’s Are Us, about the first comedy troupe consisting of openly autistic people, premiered earlier this year at SXSW, where it was bought by Netflix. Blue Jay, Lehmann’s narrative feature debut, recently premiered at TIFF and will hit select theaters on October 7 before heading to digital on October 11 and Netflix later this year. Mark Duplass and Jay Duplass executive produced both films. Starring Mark Duplass (based on his screenplay) and Sarah Paulson as two former high school sweethearts who reconnect […]
by Paula Bernstein on Oct 7, 2016 -
SXSW: Asperger’s Are Us Director/DP Alex Lehmann on Being “In It for the Story”
DP Alex Lehmann leaps to the director’s chair with Asperger’s Are Us, a documentary about an unusual comedy troupe. With one of its members soon leaving Boston to study abroad, the improv group consisting of four young men on the spectrum prepares for what may be its final performance. Executive produced by the Duplass brothers, the documentary was quickly purchased by Netflix for worldwide distribution. Ahead of Asperger’s Are Us‘s premiere at SXSW, Lehmann discussed acting as his own DP, scrounging for enough cameras to film the climax and following the story. Filmmaker: How and why did you wind up being the cinematographer of your film? What […]
by Scott Macaulay on Mar 15, 2016
