Alexandre Rockwell
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Band of Outsiders: A Conversation between Reservoir Dogs Director Quentin Tarantino and In the Soup Director Alexandre Rockwell
The following conversation between directors Quentin Tarantino and Alexandre Rockwell was published in Filmmaker‘s Winter, 1993 issue, as these films hit commercial release. It is being reprinted today, as Reservoir Dogs celebrates the 30th anniversary of its premiere at the 1992 Sundance Film Festival. Friendship, loyalty, and honor–all are classic film themes which, ironically, can sometimes be hard qualities to find in the world of filmmaking. For every film that beats the odds and manages to get made, independent or otherwise, there are a hundred shattered deals, broken promises, and crushed filmmakers left in the shadows. This year two filmmakers […]
by Scott Macaulay on Jan 24, 2022 -
“I Wanted to Have a World I Could Paint in Broad Strokes”: Director Alexandre Rockwell on Creating the Full-of-Life Family Drama, Sweet Thing
Three children are left on their own in Sweet Thing, an evocative coming-of-age drama written and directed by Alexandre Rockwell. Returning from his previous feature, Little Feet, are Rockwell’s children Lana (playing Billie) and Nico. Joining them is newcomer Jabari Watkins as the kids’ neighbor Malik; Will Patton as their alcoholic father Adam; and Karyn Parsons (Rockwell’s wife) as their largely absent mother Eve. Shot over one summer in New Bedford, Massachusetts, Sweet Thing travels through a bleak world of poverty and despair, depicted with surprising empathy by Rockwell and through the cinematography of Lasse Tolbøll. The writer/director’s script strings […]
by Daniel Eagan on Jun 18, 2021 -
Tribeca Critic’s Notebook: Socks on Fire, Sweet Thing, Kokoloko and Unemployable
What’s the point of a film festival if there’s no … festival? That’s the existential question we’re all asking ourselves right now, as organizations scramble to offset cancellations and postponements of physical gatherings in the wake of the global COVID-19 outbreak. In a bid to at least offer filmmakers some exposure, the Tribeca Film Festival is among those fests that made a pivot to online screenings for press and industry, representing maybe a quarter of its feature programming (supplemented by work in shorts, episodic and other categories). The funny thing is, this is how I often have experienced Tribeca – […]
by Steve Dollar on Apr 28, 2020 -
Alexandre Rockwell on Restoring and Preserving the Unique Black and White of In the Soup
This year marks the 25th anniversary of Alexandre Rockwell‘s landmark indie In The Soup, which is currently crowdraising funds for a badly needed restoration and re-release. We’re happy to share this interview with Rockwell, conducted by Factory 25’s Matt Grady. Click here to learn more and check out the Kickstarter campaign, and here for a video interview for more from Rockwell. What’s so unique about how you made In the Soup? One of the most defining things about In the Soup is its look. The stellar cinematography of Phil Parmet comes across in a rich, high-contrast look, deeply saturated blacks and brilliant […]
by Filmmaker Staff on Aug 1, 2017 -
Factory 25 Acquires Little Feet and Boneshaker
Factory 25 will distribute Alexandre Rockwell’s Little Feet on a double bill with 25 New Face Frances Bodomo’s Boneshaker. The films will open at the IFC Center on December 12 and will be available for streaming on Fandor and Vimeo the same day. Little Feet was previously part of a Vimeo on Demand TIFF deal in which Vimeo gave the filmmakers $10,000 in exchange for 30-day exclusive distribution rights. Rockwell won the Sundance Grand Jury Prize in 1992 with In The Soup, and Little Feet harkens back to the film’s 16mm black and white camerawork. Said Factory 25’s Matt Grady of the paired acquisition, “Both films are very […]
by Sarah Salovaara on Nov 18, 2014 -
In the Soup Director Alexandre Rockwell on Kickstarter, Creative Fundraising and the Return of Personal Filmmaking
This guest post by Alexandre Rockwell is published as his Kickstarter campaign to support finishing costs of his latest feature, Little Feet, launches. You can learn more and donate here at the link. “An old dog learning new tricks.” That’s what a pal of mine said to me the other day, and I could not disagree more. I never have seen myself as an old dog and “new tricks” are what I have had to constantly seek out to keep making handmade films over the years. Continuously reinventing oneself and jumping into the fire over and over is either insanity […]
by Scott Macaulay on Mar 18, 2014
