The cover story of our 2013 Fall issue, All is Lost proved a herculean exercise in filmmaking. Nearly dialogue free, J.C. Chandor’s sophomore feature plots its arc from the timeless motif of man versus nature, miraculously abstaining from repetition. Chandor exhibits a clear confidence in silence, allowing the surroundings and sun-stained face of Mr. Robert Redford to propel the story forward. Despite its effortless looks, making the movie was surely no cakewalk. In this behind the scenes video from HitFix, key players including underwater d.p. Peter Zuccarini, production designer John P. Goldsmith and editor Pete Beaudreau discuss their experiences in realizing […]

At sea — we have all felt it, paradoxically unmoored even in our hyper-connected age. In only two pictures, that sense of disconnection, emotional confusion and fear is the metier of New York-based writer/director J.C. Chandor. His 2011 debut film, Margin Call, was a tightly focused drama about Wall Street traders fighting for their financial lives amidst the economic meltdown. Unfolding over 24 hours, Margin Call is a talky and claustrophobic movie plumbing the specific ethical quandaries of our current political moment. Assuredly directed and extremely well-acted, it would seem to have set Chandor up to make any number of […]

I’m very excited to see J.C. Chandor’s follow-up to Margin Call, the sea-bound one-hander starring Robert Redford, All is Lost. The film comes out October 18 through Roadside Attractions, and at this point seems to be a lock to get Redford a Best Actor Oscar nomination. Scott saw the film at Cannes, and below is some of what he wrote about it for the Filmmaker newsletter: The film opens as an adrift shipping container hits Redford’s sailboat somewhere in the middle of the Indian Sea. Its hull punctured, the boat takes on water, quickly awakening a sleeping Redford. That’s minute two […]