“User-generated content” is the future of the moving image, and the present as well. A less sentimental look back at 2022 in film would probably take the measure of TikTok trends, Instagram Reels, Twitch streams, YouTube reaction videos and OnlyFans porn. Before cinema dies, you see the Ring Video Doorbell surveillance footage repackaged, America’s Funniest Cops–style, in the syndicated Ring Nation, which premiered this year (coproduced by Ring and MGM Television, both subsidiaries of Amazon). The overwhelming proliferation of digital images, recorded by consumer-grade digital cameras with ever-greater resolution, storage capacity, and ubiquity, is the story of the century. Such […]
by Mark Asch on Dec 19, 2022Nan Goldin’s prolific career as an artist and photographer as well as her recent anti-Sackler activism is the focus of Laura Poitras’s latest documentary All the Beauty and the Bloodshed, which just released its first trailer today. The film premiered at the Venice International Film Festival, where it earned the Golden Lion, making it only the second documentary in the festival’s history to win the top prize after 2013’s Sacro GRA. All the Beauty and the Bloodshed is Filmmaker‘s most recent Fall Issue cover story, with an interview between Poitras and critic Amy Taubin currently available for digital subscribers. Physical […]
by Natalia Keogan on Oct 13, 2022Perhaps the simplest way to describe Laura Poitras’s All the Beauty and the Bloodshed is as a conversation between two artists who are committed to the truth potential of lens-based mediums. The film, which won the top prize at the Venice Film Festival and will be released in theaters this fall by NEON, is Poitras’s portrait of Nan Goldin, one of the most celebrated photographers of her generation. What may be less known is that Goldin is also an organizer of campaigns for social justice to which she brings as much fiercely dedicated energy as she does to her photography. […]
by Amy Taubin on Oct 11, 2022