If you’re a dedicated Cameron Crowe fan, you may have been forced to spend part of the last 15 years repeatedly explaining why. Since Almost Famous, Crowe’s non-documentary feature output has included two movies instantly/violently rejected by both critics and the public (Vanilla Sky, Elizabethtown) and one semi-soft family film that got a parody Twitter account and endless derision months before release solely due to the admittedly risible title We Bought a Zoo. His latest, Aloha, also has a dumb title and arrives savaged by Amy Pascal in emails made public as part of the Sony hack and ominously unscreened for press until the week […]