Regional film festivals all start to feel the same after a while. There’s at least one feature dramatizing the life of a white guy in Brooklyn. The organizers tell you about a farm-to-table restaurant down the street from the movie theater with craft beer you just have to try. When you ask the volunteer driving you around if they grew up in town, they answer, “sort of,” and give the name of some nearby suburb. And usually there’s a VIP party in an antique store or a mansion owned by the town’s historical society where you meet white-haired locals wearing […]
by Whitney Mallett on Apr 21, 2016Raising Bertie follows three young men over the course of five years as they grow into adulthood in Bertie County, a rural African-American-led community in North Carolina. Director Margaret Byrne had originally set out to make a short film about The Hive, an alternative school for at-risk students. But when the school was shut down due to lack of funding, she saw the potential for a broader project about the underfunded rural educational system and how it affects African American boys, in particular. Shot in intimate verité style, the film follows Reginald “Junior” Askew, David “Bud” Perry, and Davonte “Dada” Harrell […]
by Paula Bernstein on Apr 8, 2016Amsterdam, Copenhagen, Toronto, Sheffield – Hot Springs, Arkansas? When one thinks of big doc fests, the onetime playground of Al Capone – and Bill Clinton’s childhood home – doesn’t immediately spring to mind. Yet this historic spa town, containing 47 natural hot springs and Hot Springs National Park, the oldest federal reserve in the U.S., also hosts the country’s oldest doc fest. Now in its impressive 22nd year, the Hot Springs Documentary Film Festival exceeded my expectations and then some, its programmers bringing in high-quality nonfiction fare – not to mention topnotch filmmakers and colorful characters – that perfectly aligned […]
by Lauren Wissot on Oct 28, 2013In the increasingly tony Fort Greene neighborhood just east of downtown Brooklyn, filmmakers Michele Stephenson and Joe Brewster raised a son named Idris. Very early on in his youth, just as their son was about to become one of the few young black males to enroll in The Dalton School, a vaunted Upper East Side prep school that either trains young masters of the universe in the ways of maintaining their hegemony or educates a diverse set of the city’s best students in a humane and liberal environment (all depends on your outlook), the couple decided to make a documentary. […]
by Brandon Harris on Oct 18, 2013Nestled in downtown Durham, in the heart of North Carolina’s Research Triangle, the Full Frame Documentary Film Festival is one of the region’s most engaging—and enjoyable—cinematic events. Full Frame has delivered an outstanding slate of documentary films to the local community every spring for well over a decade, but the festival thrives in part due to its friendly, relaxed atmosphere and involved audiences. Given the presence of three major universities—the University of North Carolina, North Carolina State University and Duke University (a festival sponsor)—the festival invariably attracts large crowds of highly educated viewers. But as a leading documentary festival, it […]
by Chuck Tryon on May 5, 2013The opening day of this year’s Full Frame Documentary Film Festival has once again provided attendees with an eclectic offering of choices, including a number of timely films that touch on important political issues and a curated series organized by Amir Bar-Lev, Stories About Stories, that focuses on documentaries who engage with the question of narrative itself, as well as a tribute to the innovative documentary storyteller, Jessica Yu. But this variety of choices speaks to the vibrant work being done by documentary filmmakers and the programmers who organized this year’s festival, not to mention the vital questions that documentary […]
by Chuck Tryon on Apr 6, 2013[PREMIERE SCREENING: Monday, Jan. 21, 6:00pm — Temple Theatre, Park City] The art of filmmaking took a strange twist when we turned the camera on ourselves as well as on our loved ones. We found ourselves constantly questioning our observational and self-reflexive approach to the craft, particularly when it conflicted with our parenting ideals. As parents, we were concerned about our son’s socio-emotional development and, therefore, our impulse was to turn off the camera early and often. Yet, more often than not, the decision to turn off the camera clearly hampered the quality and emotional depth contained in the first […]
by Filmmaker Staff on Jan 20, 2013