When 28 Days Later arrived on screens in 2002, it marked a leap forward for both zombie movies and digital cinema. Eschewing the shambling undead of George Romero, the film’s infected sprinted after prospective human snacks. Technologically, 28 Days Later represented one of the first wide theatrical releases to shoot on digital cameras. Director Danny Boyle and cinematographer Anthony Dod Mantle belatedly returned with 28 Years Later. With the British Isles quarantined from the rest of the world, the story follows a 12-year-old boy (Alfie Williams) who leaves behind the relative safety of his island community to search the infected-strewn […]
by Matt Mulcahey on Jan 5, 2026
The Copenhagen-based British cinematographer Anthony Dod Mantle is known for his innovation around diverse shooting formats, from the MiniDV of The Celebration to the SI-2K digital camera of Slumdog Millionaire and iPhone of his most recent, 28 Years Later. But as a producer who has worked with Anthony—on Harmony Korine’s MiniDV-shot julien donkey-boy and Gus Van Sant’s Easter—what I most associate with him is his ability to locate a script’s latent, least articulable meanings and then, using a combination of instinct, storytelling insight and technical prowess, bring those images to the screen. Recently, I shared a script with Anthony, and […]
by Scott Macaulay on Dec 22, 2025
Ron Howard is one of those filmmakers who often feels like a throwback to the directors of the classical studio era, guys such as Victor Fleming and Michael Curtiz, who would jump from action flick to comedy to melodrama and back again without missing a beat. At the beginning of his career, he followed up an R-rated comedy (Night Shift) with a romance for Disney (Splash) and then went on to do an Oscar-winning biopic (A Beautiful Mind), Westerns (Far and Away, The Missing), prescient satires (Gung Ho, EDtv) and massive tentpoles (The Da Vinci Code, How the Grinch Stole […]
by Jim Hemphill on Jan 21, 2015This piece was originally printed in the Fall 2010 issue. 127 Hours is nominated for Best Picture, Best Actor (James Franco), Best Adapted Screenplay (Danny Boyle & Simon Beaufoy), Best Editing (Jon Harris), Best Original Score (A.R. Rahman) and Best Original Song. When director Danny Boyle first got in touch with d.p. Anthony Dod Mantle about 127 Hours, the film following their Academy Award-winning collaboration Slumdog Millionaire, Dod Mantle remembers him saying that “he was convinced that the only way to get through this [movie] would be to subject an actor to a pretty extraordinary physical experience in as intense […]
by Scott Macaulay on Nov 6, 2011Harmony Korine directed and Anthony Dod Mantle shot this ad for Mahindra, the Indian multinational conglomerate. According to Ad Age, it was shot at 1,000 fps with a Phantom camera.
by Scott Macaulay on Aug 29, 2011