BAM
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“We’re All Pornographers Now”: Juliet Bashore on Her 2K-Restored Kamikaze Hearts
Any director whose bio includes being fired from “an animated children’s film for Miramax titled The Great North Pole Elf Strike for portraying Santa’s elves as gay” is my kind of filmmaker. And Juliet Bashore, of the aforementioned dismissal, also has the added distinction of being the force behind the prescient time capsule of the pre-gentrified San Francisco sex industry, Kamikaze Hearts (1986). That “fictionalized documentary” (“hybrid” was a term yet to be coined) depicted the doomed relationship between lovestruck Tigr (also a producer on the film) and the object of her adoration, gender fluid “(nonbinary” was likewise not yet […]
by Lauren Wissot on May 9, 2022 -
Watch: Michael Mann Discusses His Entire Career
As part of their recent retrospective on Michael Mann, BAM had the man himself sit down for a 77-minute talk moderated by critic Bilge Ebiri. They begin, logically, at the beginning, with Mann discussing how growing up in Chicago shaped his visual sensibility, and go from there.
by Vadim Rizov on Feb 24, 2016 -
The Intersection of Film and Live Music: Jem Cohen’s We Have an Anchor
Jem Cohen is back at BAM with the New York premiere of We Have an Anchor — a hybrid documentary that blends projections of landscapes in a variety of formats (Super 8, 16mm, HD), poetry and newspaper clippings to the sounds of a live score by an indie rock supergroup featuring members of Fugazi, Godspeed You! Black Emperor and more. A spiritual sequel to 2008’s Evening’s Civil Twilight in Empires of Tin, We Have an Anchor is an exploration of place (specifically Nova Scotia, more specifically Cape Breton) utilizing footage Cohen has shot over the last 10 years. Cohen departs […]
by Shaun Seneviratne on Aug 28, 2013 -
Brooklyn Goes BAM: Docs at BAMcinemafest
Manhattan has its big dog festivals, while across the East River in Brooklyn, home to the country’s greatest number of independent filmmakers, several fests are aspirating to the top ranks. Not in a A-List cookie cutter way, but uniquely, in their own way. The number of documentaries at the fifth annual BAMcinemaFest remained limited. Out of 25 features nine were docs, and out of 14 shorts nine were docs. Events were likewise limited, with some filmmakers organizing their own post-screening get-togethers in local bars. But what continues to lift the stature of this festival is not number of movies or number […]
by Stewart Nusbaumer on Jul 2, 2013 -
JONATHAN CAOUETTE’S “WALK AWAY RENEE” TO HAVE ONLINE PREMIERE
When discussing the lineup at the upcoming BAMcinemaFEST a while back, I noted that a new cut of Walk Away Renee, Jonathan Caouette’s long-awaited follow-up to Tarnation, would be playing as part of the festival on June 27. While that’s exciting news on its own, now comes word of a very savvy move by IFC to capitalize on the interest in the film by giving the film a simultaneous online premiere on SundanceNOW’s Doc Club, the SVOD (Subscriber Video-on-Demand) series curated by documentary maven Thom Powers. “Walk Away Renee makes a perfect headliner for the June [Doc Club] theme of […]
by Nick Dawson on May 18, 2012 -
BAMCINEMAFEST FULL SLATE REVEALED
Today the full lineup for BAMCinemafest has been unveiled, including the opening and closing night films. (The initial slate of titles was announced just over a month ago.) The fest will be bookended by comedian Mike Birbiglia’s Sundance charmer Sleepwalk with Me and Rock ‘n’ Roll Exposed: The Photography of Bob Gruen, the latest doc from British musician and filmmaker Don Letts (Dancehall Queen). The Spotlight screening is Benh Zeitlin’s Sundance Grand Prize winner Beasts of the Southern Wild, and other highlights out of the newly announced titles include the Ross brothers’ Tchoupitoulas, Cory McAbee’s Crazy and Thief and Tim Sutton’s […]
by Nick Dawson on May 3, 2012 -
BILL GUNN SURFACES AT BAM
You could say that Bill Gunn was a man who came before his time, but that leaves you working under the flimsy assumption that a time more hospitable to this man of undeniable talents and mercurial preoccupations would some day come. If you don’t already know this is a weak proposition, you’re not paying attention to the tenor of the times we live in. One can be forgiven for being unable to relate to the struggles of an unorthodox black artist to find proper patrons and an appreciative audience I suppose. Still, it is better to say that Bill Gunn, […]
by Brandon Harris on Mar 31, 2010
