“I Wanted to Restrict Lighting That Didn’t Feel Naturally Motivated”: DP Barton Cortright on The Cathedral
With The Cathedral, an unseen narrator relates the life of Jesse Damrosh, beginning with the dissolution of his parents’ marriage and highlighting other hallmarks of middle-class American existence. D’Ambrose lingers not on the big life events, however, but the more quotidian and quieter moments and objects that leave indelible marks on one’s memory. Cinematographer Barton Cortright explains why natural light was the correct approach for the film, and how he amplified the natural look to avoid a shallow depth of field. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes […]
by Filmmaker Staff on Jan 22, 2022