For American independents, this year’s Cannes Film Festival felt like the end of an era, especially with the high-profile premiere of Steven Soderbergh’s final film, Behind the Candelabra, playing two decades after sex, lies, and videotape seemed to promise the emergence of a vital American independent film culture. These questions re-emerged not just because Soderbergh has announced that he is retiring from filmmaking, but also because he has been widely critical of a film industry that is increasingly focused on international blockbusters. But the events at this year’s Cannes also raised a number of questions about the role of the […]

If Behind the Candelabra is Steven Soderbergh’s last film before he retires to pursue other interests, it serves as a fitting tribute to his fascination with celebrity and to his ability to depict complex emotional relationships in an accessible and engaging fashion. The film depicts the tumultuous relationship between Liberace (Michael Douglas) and his lover, Scott Thorson (Matt Damon), during the last few years of the pianist’s life, relating the story primarily from Scott’s perspective as he is welcomed to see behind Liberace’s widely recognized stage persona and to gain access to the person behind the image. When the film […]