On the heels of Nicolas Roeg and Ricky Jay, the movies lost another major figure today with the passing of the Italian director Bernardo Bertolucci. Bertolucci leaves behind something of complicated legacy, especially given Hollywood’s current sociopolitical climate. His treatment of Maria Schneider on the set of The Last Tango in Paris has led some to decry his standing, while others lament that such indiscretions are “in danger of [overshadowing]” his work. Whichever side of the aisle you may fall on, it’s hard to deny his eye for staging a scene. Above is one of the most memorable sequences from one of […]
by Sarah Salovaara on Nov 26, 2018Bernardo Bertolucci was barely out of his teens when the first feature film he directed, La Commare Secca, based on a story by Pier Paolo Pasolini, premiered in 1962. In today’s poetry-averse art house environment, his influence surfaces only sporadically — perhaps most clearly in the impulsive, unabashed aesthetics of Paolo Sorrentino — but his filmography remains strong and singular. Nothing feels quite like a Bertolucci film, with its peculiar, poetic fusion of the sensual, the political, and the spiritual. Bertolucci is 73 now, and, because of a series of botched back surgeries, confined to a wheelchair. His newest film, […]
by John Magary on Jul 2, 2014Cannes No.64. Côte d’Azur. Film, film, film and more films. As a matter of fact, more films than you can even imagine are made. That was my first impression last year as I popped my cherry at the Palais, bringing my 30-minute short film, The Sea Is All I Know, starring Oscar winner Melissa Leo (above), to the festival. It was overwhelming. How could so many films be made? Where are they seen? Where does the funding come from? How does one sell them? Who were these people selling the films? What are pre-sells? How is that different than distribution? […]
by Jordan Bayne on May 25, 2012A curious celebration of cinema and the mix of craft, history and ideology that goes into its making, Angela Ismailos’ Great Directors provides a chance to travel into the minds of ten of the world’s most celebrated film directors. In conversations with Bernardo Bertolucci, David Lynch, Stephen Frears, Agnes Varda, Ken Loach, Liliana Cavani, Todd Haynes, Catherine Breillat, Richard Linklater and John Sayles, Ismailos probes these directors for the secrets of their success while recounting much of the history of post-War world cinema via archival footage, occasionally ponderous black-and-white B-roll of the filmmakers, and mostly insightful voice over commentary. Detailed and […]
by Brandon Harris on Jun 30, 2010