Big Beach
-
The Trump Effect
When Moonlight won the Academy Award for Best Picture, writer-director Barry Jenkins and his team weren’t the only ones celebrating. For many filmmakers, the Moonlight triumph was both a victory for indies but also a rebuke against the racism, sexism and prejudice of Trump’s America. It was, perhaps, the entertainment industry’s biggest embrace of “the Resistance” yet. But the Trump regime isn’t just affecting awards shows and celebrity Twitter accounts. Financiers and producers speak about an uncertain marketplace, fueled by the wild vacillations of the Trump presidency, which has the ability to both hinder and bolster independent films. Yellow Bear […]
by Anthony Kaufman on Apr 13, 2017 -
“I Still Love Film, But This is the New Golden Age of TV, with Deeper and Darker Approaches to Storytelling”: Molly Breeskin on Developing Television
I remember my first summer in New York. Washington Square Park was my backyard, I had an unconvincing fake ID that somehow worked, and I ate frozen yogurt for breakfast. I also remember spaceship battles and Cylons because when I wasn’t outside living the dream, I was in a Battlestar Galactica fantasy in my dorm room. And when I wasn’t binge-watching the television show, I was dreaming about it. The memories of my first summer in New York are largely constructed around this BSG association; it’s as if the context of my real life has been grounded in the memories of the fantasy one. I similarly refer […]
by Taylor Hess on Mar 17, 2015 -
Five Questions with Safety Not Guaranteed Director Colin Trevorrow
Safety Not Guaranteed might be the first feature film based on an internet meme. In 2005, a newspaper classified ad from 1997 started to spread across the web, depicted a mulleted man who claimed to be seeking, “Somebody to go back in time with me.” The ad, which also specified, “this is not a joke” was eventually revealed to be exactly that, a fake listing published to fill out space in the paper. But that hasn’t stopped director Colin Trevorrow from crafting his first feature film around it. Produced by Marc Turtletaub and Peter Saraf of Big Beach (Little Miss […]
by Jane Schoenbrun on Jan 19, 2012
