About halfway through my viewing at the Treefort Film Festival – predominately spent lounging on burlap sacks and church pews, repurposed for the inside of a tent – an anomalous, entirely welcome, framework began to take shape. At most regional festivals, the program tends to be a rather mixed bag, with titles culled from disparate, big name destinations, void of the necessary context for a non-industry crowd. But at the Boise-based, 2nd annual Treefort, the relatively compact, thoughtful selection of shorts and features appeared to be in constant dialogue with one another. Take, for instance, the standing-room-only double feature of Scott Cummings’ Buffalo […]
by Sarah Salovaara on Apr 3, 2015“Say hello to my little friend!” If you’ve ever fantasized unleashing your inner Tony Montana — or, more accurately, your inner ’80s-era Brian DePalma — then the latest crowdsourced art project from the Miami-based Borscht Corporation is for you. Borscht has announced Scarface Redux, a fan remake of the 1983 drug lord epic, with filmmakers from all over the world invited to direct and submit their own 15-second segment. The clip can be “live action, animation, puppets, legos, Chihuahuas, it doesn’t matter!”, the site says. The finished film will be screened at the Borscht Film Festival in December at a […]
by Scott Macaulay on Jul 9, 2014On Sunday night, IFP and Vimeo held a party to celebrate the thirteen films screening at the 2014 Sundance Film Festival that had first been developed at the IFP Labs, Project Forum or other IFP programs. IFP supported films included Appropriate Behavior, CAPTIVATED: The Trials of Pamela Smart, Cesar’s Last Fast, Dinosaur 13, Hellion, Little Accidents, Marmato, Memphis, Obvious Child, The Overnighters, Ping Pong Summer, Rich Hill and The Skeleton Twins. The Park City celebration also included many of the 45+ IFP alumni from previous years that were launching new work at the Sundance Film Festival. Joana Vicente, IFP and Made […]
by Alexandra Byer on Jan 24, 2014Last summer, at about the same time I was shooting Orphaned, Columbia Pictures was shooting second-unit/chase scenes for Salt here in Albany, NY. Apparently we have a really dope set of off-ramps and bridges that made it necessary to shoot one scene in Upstate New York. They brought in all their own people and all their own gear. Many of the actors that worked on Orphaned got day-play extra roles and stand-in gigs, and downtown was a mess for a week. The film community of Albany was pissed and ecstatic all at the same time, and the experience acted as […]
by John Yost on Jul 19, 2011