Founded in 1999 and situated in the historic arts colony on the Massachusetts Cape, the Provincetown International Film Festival has been a bastion for independent filmmakers and their projects for a quarter of a century, with classics such as Hedwig and the Angry Inch, Cameraperson and Coffee & Cigarettes appearing across its programming. PIFF has also long been known for its established rapport with queer directors (John Waters has returned annually to present awards and host events) and the the LGBTQ+ community that resides in the town year-round. PIFF’s 2023 edition, which begins today and runs through the 18th, is the festival’s […]
by Natalia Keogan on Jun 14, 2023A force to be reckoned with since his first short in 1987, queercore filmmaker Bruce LaBruce (who we interviewed last year regarding his latest short porn film) has worked consistently since then. His latest feature, The Misandrists, is right in keeping with his established interests. From the official synopsis: When an injured male leftist on the run discovers the remote stronghold of the Female Liberation Army — a radical feminist terrorist group whose mission is to usher in a female world order — one of the members takes pity on him and hides him in the basement. However, the man in […]
by Filmmaker Staff on May 24, 2018Bruce LaBruce is one busy renaissance man. The queercore icon — director of 11 features (not to mention numerous short films and music videos, and several theater works), visual artist and author — has now teamed up with Erika Lust’s XConfessions to release Refugee’s Welcome. The story of a Syrian refugee in Berlin who both suffers a hate crime and finds a poetic (and explicitly sexual) connection with a Czech punk, the short will be available on Eroticfilms.com (NSWF link, obviously!) on March 9th. (And today only for free — use the code BRUCE). Filmmaker spoke with LaBruce — who […]
by Lauren Wissot on Mar 9, 2017I wish I had had 10 percent more shooting days. We shot Otto; or, Up with Dead People in 20 days, and that was almost consecutively. If you include the day I spent in a studio recording voiceovers, which had to be done then owing to the complicated availability of the actors, I worked on the film shoot 20 days in a row. My d.p. had one day off in 20. The days were extremely packed and long, so much so that we almost had a crew mutiny on our hands at one point. In the interests of sanity, there […]
by Jason Guerrasio on Jan 16, 2008