A trio of black musicians performs a Congolese song in a desolate area inhabited by relentless bounty hunters, surviving Native Americans, and individuals — enterprising or on-the-lam — seeking reinvention in the anonymous open frontier. A finely-choreographed triangular shootout puts both a general store and a starving family of German immigrants out of commission. Set in Colorado in 1870, five years after Lee’s surrender at Appomattox ended the Civil War, Slow West is positively — in every sense of the word — disconcerting. Which is precisely Scottish filmmaker John Maclean’s ballsy aim. Wildly but meticulously blurring the boundaries between genres, […]