Chris Smith
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Sundance 2024: Devo, War Game, Girls State
First you get radicalized, then you get professionalized—a familiar trajectory Chris Smith’s Devo retells in a familiar idiom. After sitting down with dour conspiracy theorist Michael Ruppert for 2009’s Collapse, the American Movie director didn’t make a feature for eight years. He returned to begin his populist doc era with 2017’s Jim & Andy, which made generous use of previously unseen videos of Jim Carrey acting like a maniac “in character” as Andy Kaufman on the set of 1999’s Man on the Moon. In present-day interviews, Carrey described his dilemma: having given a performance at a relatively young age that confirmed […]
by Vadim Rizov on Jan 25, 2024 -
American Movie to Receive Cinema Eye Honors 2016 Legacy Award
Cinema Eye, the nonfiction film organization behind the annual Cinema Eye Honors, will present the 2016 Legacy Award to American Movie, Chris Smith’s 1999 chronicle of an independent filmmaker pursuing his passion project. Smith will accept the award on behalf of the film at the Cinema Eye Honors Lunch, on Tuesday, January 12, 2016 in Manhattan. Award-winning documentary filmmaker Steve James (Hoop Dreams, The Interrupters, Life Itself) will serve as host and master of ceremonies for the 2016 Cinema Eye Honors, which will be held Wednesday, January 13, 2016 at the Museum of the Moving Image in Astoria, Queens. Meanwhile, today marks the second day of […]
by Paula Bernstein on Dec 10, 2015 -
The Last Days of Collapse Subject Michael C. Ruppert
The life and final days of Michael C. Ruppert — author, 9/11 Truther, podcaster and prophet of economic collapse — are chronicled by The Verge’s Mat Stroud in a fascinating, quite sad story. Filmmaker readers will remember Ruppert from Chris Smith’s 2009 documentary, Collapse, in which the author discussed his theories of societal collapse in the decades following “peak oil” — the moment in which there is less oil in the ground than has been used by mankind. For Smith, however, the documentary was as much about Ruppert the man as his work. In an interview with Brandon Harris, Smith […]
by Scott Macaulay on Jul 22, 2014 -
The Forgiveness of Blood — A Hammer to Nail Review
(The Forgiveness of Blood is being distributed by Sundance Selects and comes to theaters on February 24, 2012. It world premiered at the 2011 Berlin International Film Festival. NOTE: This review was first posted at Hammer to Nail in conjunction with its screening at the 2011 Toronto International Film Festival.) The future of American independent filmmaking may not lie in America at all. In recent years, a number of filmmakers have turned their eyes away from the complexities of 21st century American life and toward the world beyond our national borders. The decision to engage another culture through filmmaking, to […]
by Tom Hall on Feb 23, 2012 -
FAVORITE FILM FESTIVAL EVENT 2011: MEET THE MAKERS WITH STEVE JAMES
One of the best things about the International Documentary Film Festival Amsterdam, which took place November 16th–27th, is how community-inclusive the fest is, with most activities, from interactive exhibitions to informal master classes, open to the public free of charge. (Indeed, it’s possible to get your cinephile fix on a daily basis without ever buying a movie ticket.) And one of this year’s truly informative events was a Meet the Makers discussion at the Escape Club on Rembrandtplein hosted by Canadian documentarian Peter Wintonick. IDFA guest Steve James, who was honored with a retrospective, was there that Saturday morning to […]
by Lauren Wissot on Jan 6, 2012 -
Take Shelter — A Hammer to Nail Review
(Before world-premiering in the dramatic competition at the 2011 Sundance Film Festival, Take Shelter was picked up by Sony Classics. It went on to win the Grand Prize at Critics Week, as well as the FIPRESCI Prize, in Cannes. It opens theatrically in New York City and Los Angeles on Friday, September 30, 2011. Visit the official website to learn more.) [DISCLAIMER: I am very good friends with several of the key collaborators involved with the Take Shelter production. Ordinarily, I would absolve myself from writing a review based on far more tenuous connections, but in this particular case, I […]
by Michael Tully on Sep 29, 2011 -
Chris Smith, Collapse
Ex-LAPD Detective, investigative journalist, 9/11 truther, foreteller of the coming apocalypse — these are just some of the roles Michael C. Ruppert has inhabited in his fascinating life, one that versatile filmmaker Chris Smith (American Movie, The Yes Men) has chosen to examine in his newest film Collapse. It is a return to documentary films for Smith, who has oscillated between disparate narrative and documentary work with a rare deftness. His most recent film The Pool (2007), a naturalistic narrative which Smith photographed himself, tracks a rural teenager working in a Panjim hotel to support his family who becomes obsessed […]
by Brandon Harris on Nov 4, 2009 -
Chris Smith, The Pool
VENKATESH CHAVAN IN DIRECTOR CHRIS SMITH’S THE POOL. COURTESY VITAGRAPH FILMS. Chris Smith is an interesting conundrum, a filmmaker who brings a narrative verve and energy to his documentaries and approaches fiction films with the delicate restraint and remove of a documentarian. A graduate of University of Wisconsin-Milwaukee’s film program, Smith first appeared on the scene in 1996 with American Job, a low-key narrative feature loosely based on the work experiences of the film’s star and co-writer, Randy Russell. During the editing of that film, he met Mark Borchardt, an oddball wannabe horror filmmaker who became the subject of Smith’s […]
by Nick Dawson on Sep 3, 2008 -
ENEMIES OF THE STATE
Sitting here editing the latest issue of Filmmaker, I came across this interview segment from Andy Bichelbauer, the “Yes Man” featured in Chris Smith’s outrageously entertaining political doc The Yes Men forthcoming this fall from United Artists. The Yes Men are a group of political performance-art provocateurs who infiltrate government and NGO-type events and pose as World Trade Organization officials. But lately the group has been having problems dealing with the implications of the Patriot Act, which broadly construes a variety of behaviors as potentially terrorist acts. Within the art world, the first casualty is that of Steve Kurtz, a […]
by Scott Macaulay on Jun 19, 2004
