New Yawk New Wave has been running at Film Forum since January 11 but still has a couple of precious days of life left. In a way, it’s one of the more ambitious curatorial projects to emerge from the theater’s august archivists. The series isn’t bound to a single era (it encompasses the period from 1953 to 1973), genre (everything from madcap comedy to downcast drama makes an appearance), or even style (there’s New Wave, cinema vérité, post-noir, and whatever you want to call Robert Downey Sr.’s still-photos-plus-voiceovers oddity, Chafed Elbows). Besides New York origins, the main thing this wildly […]
by Jim Allen on Jan 30, 2013This year the Museum of Modern Art’s Film Department launched a year long retrospective of a prominent octogenarian documentarian. On opening night of the series, with the filmmaker present, the curator of the series asked during a Q&A, “do you think you’ve mellowed a bit with age?” Frederick Wiseman responded, “why does one have to mellow?” In fact, at eighty, he hasn’t at all. Yes his films have grown a touch more lyrical and perhaps one could even say tender as he enters his sixth decade as our country and perhaps the world’s most vital documentarian. Since bursting on the […]
by Brandon Harris on Oct 21, 2010JUSTIN RICE IN WRITER-DIRECTOR BOB BYINGTON’S HARMONY AND ME. COURTESY HARMONY AND ME, LLC. From Richard Linklater and Robert Rodriguez to Bryan Poyser and the Zellner brothers, Austin is a hotbed of gifted directors, and Bob Byington now emerges from there as another talent to be reckoned with. A native of Lincoln, Nebraska, Byington studied at UC-Santa Cruz before going to graduate school at the University of Texas, where he used his American Studies major to indulge his newfound love for the movies. In 1995, he cut his teeth as a production assistant on the indie hit The Last Supper, […]
by Nick Dawson on Sep 18, 2009A STILL FROM DIRECTOR JOE BERLINGER’S CRUDE. COURTESY FIRST RUN FEATURES. Joe Berlinger is a filmmaker who makes documentaries that tell important stories with integrity, while still always entertaining his audiences. Born in Bridgeport, Connecticut, in 1961, Berlinger studied English and German at Colgate University, and got his first taste of the movie business while working on TV commercials at an advertising agency in Frankfurt. After deciding he wanted to make films, he moved to New York City, where he got a job working for the Maysles brothers. Berlinger’s first foray into directing was the documentary short Outrageous Taxi Stories […]
by Nick Dawson on Sep 9, 2009MARDI GRAS QUEEN HELEN MEAHER IN DIRECTOR MARGARET BROWN’S THE ORDER OF MYTHS. COURTESY CINEMA GUILD. Though she may appear to casual observers as simply a gifted young chronicler of Southern culture, Margaret Brown’s talents extend beyond that. The daughter of Milton Brown, the songwriter who penned the catchy title song for the Clint Eastwood vehicle Every Which Way But Loose, Brown was raised in Mobile, Alabama, and since graduating from university has been highly active behind the camera. In the past decade, Brown’s filmmaking career has been impressively diverse: she first produced the Student Academy Award-winning short Six Miles […]
by Nick Dawson on Jul 25, 2008With the passing yesterday of legendary horror auteur George Romero, we’re reposting Nick Dawson’s 2008 interview with the director on the release of the penultimate chapter of his zombie series, Diary of the Dead. R.I.P. George Romero. No matter how you look at it, George A. Romero will always be remembered as the godfather of the zombie movie. Born in 1940 in New York City, Romero graduated from Carnegie Mellon in the early 60s and stayed in Pittsburgh to set up a commercial production company. In 1968, he segued into features with his seminal debut, Night of the Living Dead, […]
by Nick Dawson on Feb 15, 2008DIANA GARCIA IN GERARDO NARANJO’S DRAMA/MEX. COURTESY IFC FIRST TAKE. Not many people can genuinely claim that cinema is their savior, but Gerardo Naranjo is probably one of the few. Growing up in the small Mexican town of Salamanca, he frequently got into trouble and was forced to move from school to school as a result of his problems with authority, but managed to escape his difficulties while watching movies. He ended up studying at the Universidad Iberoamericana in Mexico City, where he founded a cinema club called Zero for Conduct, — named after the Jean Vigo movie, a favorite […]
by Nick Dawson on Jul 11, 2007