Dario Argento
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“Cinema Doesn’t Heal or Cure You of Anything”: Dario Argento on “the Pleasure of Terrible Ceremonies” and His 20-Film Retrospective
The day before the start of his 20-film retrospective at Film at Lincoln Center, Dario Argento talked with film historian Rob King in front of a small delegation at the Italian Cultural Institute. King started by pointing out that the director has now directed giallo films for 53 years, or “four years longer than John Ford made westerns.” Asked what the genre means, Argento said he’s been asked this question thousands of times and that “once more” he will answer—“I don’t know.” Asked if his approach to directing giallo has changed, he also answered as he always has—No. He simply […]
by A.E. Hunt on Jun 21, 2022 -
Trailer Watch: Gaspar Noe’s Vortex
As I’m editing my print-edition interview with Gaspar Noe about his new feature, Vortex (to my mind, at this moment, his best film), this new trailer from Utopia is a nice refresher. From the Francoise Hardy soundtrack to the Edgar Allen Poe-quoting tagline to the consoling gesture rendered uncanny by Noe’s split screen, this trailer captures the film’s melancholy heartbreak and unsentimental philosophy. The film is an astringent yet not uncompassionate look at the final days of two aging leftists, a married couple played by director Dario Argento (portraying a film critic, which Argento once was) and actress Francoise Lebrun […]
by Scott Macaulay on Mar 11, 2022 -
Love is Colder Than Death: Luca Guadagnino on Suspiria
I’m not sure whether or not Luca Guadagnino’s Suspiria is a masterpiece, but I’m certain that it warrants being compared to quite a few films that are. The one that immediately sprang to mind when the lights came up was The Godfather. With The Godfather, Francis Ford Coppola took the gangster movie and attempted to expand its emotional range and social and political themes without sacrificing the visceral pleasures of genre filmmaking. Guadagino’s Suspiria attempts to do something similar with the horror film, with a startling degree of success. Here is a curious fact of film history. Though horror movies […]
by Larry Gross on Sep 17, 2018 -
Five Questions for The Editor Writer/Directors Matthew Kennedy and Adam Brooks
With the recent Berberian Sound Studio and now The Editor, we’re in a bit of a giallo revival. Or, more accurately, the gory, gloriously art decorated Italian horror thrillers of the 1970s have inspired a new generation to pay homage in the form of their own meta-commentaries. Interestingly, Peter Strickland’s Berberian Sound Studio and this year’s Toronto-premiering The Editor both feature post-production crew as their protagonists. In Berberian Sound Studio, it was a foley artist; in The Editor, Matthew Kennedy and Adam Brooks’ horror comedy, our hero is a once-vaunted picture editor who, following an accident, now must wield his […]
by Scott Macaulay on Sep 11, 2014 -
Into the Splice: Black Swan
Things didn’t bode well from the beginning. The crowd in the theater was restive. People shifted uncomfortably in their seats even before the movie began. I was alone, and sat in the back, the projector whirring somewhere above and behind me. But that was only the beginning. As it turns out, I had been editing Alla Gadassik’s remarkable video-essay for the Requiem // 102 project, and had learned of an obscure Italian Jennifer Connelly film from 1988, Etoile (directed by Peter Del Monte), which also happens to be a nightmarish film about Swan Lake that also features a monstrous black […]
by Nicholas Rombes on Jan 10, 2011
