Following the warm reception of Twin Peaks (1990-1991), ABC commissioned a little seen follow-up from Lynch/Frost Productions in 1992 called On the Air. The series was a characteristically off-kilter sitcom about a ’50s television network struggling to rejuvenate their variety spot, The Lester Guy Show. What sounds like a quixotic collision of Network and 30 Rock instead turned out to be an unmitigated disaster: ABC put the ax on On the Air after only three episodes. Still, as cult followings are want to do, the series attracted a cluster of devotees when it screened in its entirety in the UK and Australia. The first (and only) season is now available on YouTube, […]
by Sarah Salovaara on Aug 14, 2014David Lynch recently confirmed that he has no plans to direct a new film, but he’s still available for commercials. Rouge Louboutin is a $50 nail polish inspired by the Ballerina Ultima, the tallest shoe Louboutin has ever designed. You can see where this is going: the video is about as festishistic as it gets, filled out by CGI landscapes that look more like The Imaginarium of Dr. Parnassus than anything in Lynch’s filmography.
by Vadim Rizov on Aug 5, 2014Starting this week, I’ll be posting a round-up of stray news items and articles — mostly film, though not all — that caught my eye. Let’s get started: • The great Michael Almereyda’s short film Skinningrove won the short film jury award at Sundance this year, and now you can watch it at the New York Review of Books. It’s about 15 minutes of photographer Chris Killip discussing and showing mostly unpublished photos of the titular Yorkshire village from the ’80s. • Here’s an interesting obituary for Thomas C. Senesac, owner of Chicago’s Acme Prop Rental, a company which got […]
by Vadim Rizov on Jul 25, 2014Shortly after the release of his masterpiece Mulholland Drive, David Lynch took a little downtime to create an early incarnation of the webseries: the aptly titled Dumbland. A profane series of vignettes centered around an irascible man, the bizarrely hilarious episodes feature Lynch’s own chicken scratch and characteristically strong sound design. You can watch all eight of them above, and be sure to stick around for the dancing ants featured in the final episode.
by Sarah Salovaara on May 13, 2014The folks at Taste of Cinema have curated a list of 25 of what they dub the best shorts available to watch online. Weighted towards the experimental and animation, it is indeed a good list. One personal favorite is Alison Maclean’s 1989 short, Kitchen Sink, a masterpiece of domestic horror with a strong David Lynch influence. From Kitchen Sink Maclean went on to direct the features Crush and Jesus’ Son and, more recently, various commercials and TV episodes. Back in the day, Kitchen Sink made a huge impact, and I still recommend it to filmmakers looking for an example of […]
by Scott Macaulay on Apr 24, 2014Here are some of the articles I’ve read this week that I recommend for your Sunday afternoon reading. “Whose Brooklyn Is It Anyway?” wonders A.O. Scott at the New York Times as he considers Spike Lee’s recent comments on the borough’s gentrification: Every city is simultaneously a seedbed of novelty and a hothouse of nostalgia, and modern New York presents a daily dialectic of progress and loss. As Colson Whitehead notes in “The Colossus of New York,” you become a New Yorker — or perhaps a true resident of any place, whether you were born there or not — when […]
by Scott Macaulay on Mar 30, 2014Of all the transformations cinema has undergone since the rise of affordable home viewing in the 1970s, perhaps the most ephemeral, difficult to quantify is this strange result: the difficulty of falsely remembering movies. Whether it was mixing up and remembering out of order a series of shots, or conflating scenes from different movies that happened to star the same actor, or simply forgetting portions of a film, it was difficult to recall a film correctly, accurately. Which isn’t the same thing as not recalling a film truthfully. This became apparent after watching Only God Forgives recently on the big […]
by Nicholas Rombes on Aug 12, 2013David Lynch may be mostly retired from filmmaking these days, but here he is in Paul Sharits/Tony Conrad mode with a music video that comes with an epilepsy warning. If you are non-epileptic, turn the speakers up, the lights down and enjoy David Lynch’s video for Nine Inch Nails’ “Come Back Haunted.”
by Scott Macaulay on Jun 28, 2013Here are my weekly Sunday morning links. A sophisticated discussion of videogames and violence is contained in Adi Robertson’s “Death is Dead: How Modern Videogame Designers Killed Danger” at the Verge. The article quotes David Cage, whose Beyond: Two Souls is premiering at the Tribeca Film Festival this year, proclaiming, “If the character doesn’t hold a gun, designers don’t even know what to do.” That leads to a discussion about the relationship of death to videogame narrative: But unlike Cage, most of the writers giving talks at GDC don’t come into a game with complete control. They’re brought on to […]
by Scott Macaulay on Mar 31, 2013In Jorge Luis Borges’s story “The South” the narrator notes that “every Argentine knows that the South begins at the other side of Rivadavia.” And this is where I found myself last month, in a city called Mar Del Plata, for the 27th Mar Del Plata Film Festival, hundreds of miles south of Buenos Aires, where I had been invited by Pablo Conde to attend the book launch of a Spanish translation of The Blue Velvet Project, which originally appeared here at Filmmaker from August 2011 to August 2012. Where I was, among generous, film-loving people, everything hovered on the […]
by Nicholas Rombes on Nov 29, 2012