“Fate depends on a soccer ball?” Is it possible distributors were discouraged from pursuing the U.S. release of guaranteed cult sensation Days of Grace after hearing such a trite voice-over line? It has been four years since Mexican director Everardo Gout’s marvelous marriage of art and kinesthesis premiered to fine reviews in a midnight slot out of competition at the 2011 Cannes Film Festival. Admittedly naïve about the business end of the industry, I’m aghast that this magnificent power surge of a movie, driven by a zapping vector only occasionally slowed for (sometimes literally) pregnant pauses, has taken so long to […]