Denis Villeneuve
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Trailer Watch: Denis Villeneuve’s Dune: Part Two
Dune: Part Two will hit theaters just over two years after Dune, director Denis Villeneuve’s adaptation of Frank Herbert’s 1965 landmark sci-fi novel. The first trailer arrives six months before the second and final installment of Villeneuve’s saga is set for release. The story will continue to follow characters from the first film (save for Oscar Isaac, whose Duke Leto Atreides perishes during the first half of the story), with roles reprised by Timothée Chalamet, Zendaya, Rebecca Ferguson, Josh Brolin, Dave Bautista, Stellan Skarsgård, Stephen McKinley Henderson, Charlotte Rampling and Javier Bardem. Yet there’s a considerable amount of buzz surrounding […]
by Filmmaker Staff on May 3, 2023 -
Venice Film Festival Critic’s Notebook 2021: Dune and The Card Counter (An Oscar Isaac Double Feature)
Two of this year’s high-profile Venice premieres, Dune and The Card Counter, are auteurist works recognizable by multiple of their makers’ signatures. Both star Oscar Isaac and arrive as pandemic-affected productions that (try to) bear no trace of that circumstance. Dune finished principal photography before COVID-19’s global spread, while The Card Counter was 3/4 of the way through production when it hit; Isaac completed its rescheduled remainder before flying to Hungary for Dune reshoots. Optimistically subtitled Part I (this covers the first of the novel’s three volumes)*, Dune arrives with the unplanned burden of attempting to make the case for the Big Screen Experience—Denis Villeneuve’s been very […]
by Vadim Rizov on Sep 3, 2021 -
Trailer Watch: Denis Villeneuve’s Arrival
A Filmmaker cover in Winter 2014 for one of our favorite and underrated films of the last few years, Enemy, Denis Villeneuve has become that rare powerhouse director who inflects a cinematically exciting signature style across diverse material. Currently shooting the sequel to Blade Runner, the director follows up his moody drug-war drama Sicario with a science-fiction tale of alien visitation. Most excitingly for us at Filmmaker, this most visually compelling of directors has hooked up with one of our favorite DPs, Bradford Young, who appeared on our 25 New Faces list back in 2009. For now, check out the […]
by Scott Macaulay on Aug 16, 2016 -
“So Much of What You Do is Intuitive”: Roger Deakins on Sicario
In an interview with Variety for his new film Sicario, director Denis Villeneuve claimed that the movie’s cinematographer Roger Deakins “could shoot with a shoe and it would look great.” Hyperbole aside, Villeneuve isn’t far off: if you can affix a lens to it, Roger Deakins can coax lyrical yet naturalistic images from it. Armed with an ARRI ALEXA Studio on Sicario – a slight step up from a shoe cam – Deakins pushed the camera to its boundaries to capture both the cruel harshness of the sunlight and the menacing unknown of the shadows for Villeneuve’s politically and morally complex tale of […]
by Matt Mulcahey on Oct 14, 2015 -
“I Just Like Doing My Job”: DP Roger Deakins on Working with the Coens, Digital vs. Film and His Most Difficult Shots
It was fitting that, in the year that the Coen Brothers presided over the Cannes jury, lens makers Angénieux chose Roger Deakins as the subject of their tribute at the festival. Born in Torquay, England, Deakins is best known for his collaborations with the Coen Brothers, having shot most of their movies since Palme d’Or winner Barton Fink. He’s also shot three films for Sam Mendes, including the blockbuster Skyfall. At Cannes, he also had a film in competition, Sicario, his second collaboration with Denis Villeneuve, and at the festival it was announced that they would team up again for […]
by Kaleem Aftab on Jul 30, 2015 -
Trailer Watch: Denis Villeneuve’s Enemy Starring Jake Gyllenhaal
The cover story of our current issue, Enemy is Denis Villeneuve’s brooding adaptation of José Saramago’s The Double, his second collaboration with Jake Gyllenhaal following last year’s Prisoners. Today, the busy bees over at A24 debuted a trailer in advance of the film’s March 14th release that also showcases an impressive supporting cast in Isabella Rosselini, Melanie Laurent and recent Cronenberg favorite, Sarah Gadon. The film, which premiered at the Toronto Film Festival, is another entry in cinema’s long-running fascination with doppelgängers, and apparently, a rather successful one at that. Prior to interviewing Villeneuve for the Winter issue, Brandon Harris raved the film in his […]
by Sarah Salovaara on Jan 31, 2014 -
Act Break: Director Denis Villeneuve Talks His “Jaw-Droppingly Weird” Enemy
In his newest film Enemy, French-Canadian director Denis Villeneuve immediately springs on us an omnipotent sense of dread. The chiaroscuro-tinged opening — a dynamo dream sequence in a film that feels like one long, unending hallucination — takes us inside an invitation-only sex club, populated by hard-looking, well-dressed men, one of whom is Jake Gyllenhaal. What are they watching? Scantily clad women doing seemingly erotic things that involve tarantulas. Bear with me. Soon we meet a pregnant blonde (Sarah Gadon) who’s waiting at home for her husband. Is it Gyllenhaal whom she’s waiting for? The next time he’s glimpsed, he […]
by Brandon Harris on Jan 17, 2014 -
Jake Gyllenhaal in Prisoners: The Shadow Knows
In Robert Bly’s examination of Jung’s concept of the shadow, Bly talks a lot about this thing called “the bag.” The bag is where, for the first 20 years of our lives, we hide the stuff we’re ashamed of. Or have been made to be ashamed of. Then we spend the rest of our lives trying to get those things out of the bag. Things like our emotions, our anger, our creativity, our vulnerability, our troublemaker, our defiance, our gut instinct, our spontaneous wildness. They’re in the bag a lot of the time. So, boys learn how to put their […]
by Noah Buschel on Jan 10, 2014 -
Toronto International Film Festival 2013
With 288 films unfolding over 11 days, the Toronto International Film Festival offers just about every type of viewing experience imaginable, with every viewer becoming their own curator, cherry-picking from within their favorite sections. Business types congregate around the big acquisition titles. Cineastes check out the greats of world cinema, arriving in Toronto after Cannes. Discoverers peruse the Vanguard section searching for new talent. But what’s less often commented upon are the viewing experiences a large festival like Toronto produces for viewers intending to sample from it all. Entering a theater involves, before the lights dim, a mental recalibration, an […]
by Scott Macaulay on Oct 21, 2013 -
TORONTO: SPC NABS “INCENDIES”
According to Michael Fleming at Deadline, Sony Pictures Classics has acquired Denis Villeneuve‘s Incendies, which follows twins who travel to the Middle East to investigate their mother’s past and find a shocking revelation. See the trailer here.
by Jason Guerrasio on Sep 13, 2010
