The story of five young sisters locked up by overprotective guardians with predictably dire consequences, Deniz Gamze Ergüven’s first feature Mustang has prompted inevitable widespread comparisons to The Virgin Suicides. Despite the plot-level resemblance (Ergüven has said she’s both read the book and seen the movie but it’s not a meaningful influence), Mustang is its own distinctive debut, contextualized by a virulently patriarchal culture that barely disguises its controlling nature. After an afternoon frolic on the beach with male friends, five sisters arrive home to find themselves rigorously interrogated by their grandmother about what kind of sluttish hijinks they’ve been up to. In a scene resembling […]