Deragh Campbell
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“The Frame Is a Proscenium”: Graham Swon on An Evening Song (for three voices)
Set in 1939 and told through the intertwining perspectives of characters enmeshed in a bizarre love triangle, writer-director Graham Swon’s sophomore feature An Evening Song (for three voices) is as visually robust as it is dramatically intimate. The story revolves around married couple Richard (Peter Vack) and Barbara (Hannah Gross)—a pulpy crime writer and a prodigious novelist, respectively—who move to a rural Midwestern town after years of city living. Shortly after arriving, they hire a local young woman named Martha (Deragh Campbell) who the couple find independently alluring despite (or perhaps largely due to) her striking innocence and pious nature. […]
by Natalia Keogan on Mar 15, 2024 -
Back To One Episode 167: Deragh Campbell
Her riveting and revelatory performance in Kazik Radwanski’s Anne At 13,000 Ft. is the latest in a run of risky work by the Canadian indie phenom Deragh Campbell. In this hour, she talks about the process of sinking into Anne as the production went on and the great benefits and humorous backfires of immersing with non-professional actors in some scenes. Blending non-fiction into her performances is something she does often, particularly in collaboration with director Sofia Bohdanowicz. She talks about the character they created together, Audrey Benac, and the interesting ways performing as her has evolved over five projects. Plus […]
by Peter Rinaldi on Aug 31, 2021 -
“Deragh Had Never Skydived Before…” Five Questions for Writer/Director Kazik Radwanski about His TIFF-Premiering Anne at 13,000 Ft.
Overwhelming anxiety, bad workplaces and ill-advised self-medication are all very on-trend for 2019—Kazik Radwanski’s Anne at 13,000 Ft is right for the moment. A Torontonian child care worker at a government-run facility, Anne (Deragh Campbell) is the protagonist of a handheld drama whose initial energy is very in a post-Dardennes vein, with nervy-but-not-illegibly-jumpy camerawork following her. One way to add production value to your lowish-budget production is suggested by the opening, where Anne skydives out a plane as part of a bachelorette party (!). The footage is clearly unfaked and my nightmare; smartly intercutting between the build-up and her job, a […]
by Vadim Rizov on Sep 9, 2019 -
“No One’s Going to Knock at Your Door and Say ‘I Want to Hire You to Be a Filmmaker'”: Sofia Bohdanowicz and Deragh Campbell on MS Slavic 7
As codirector Sofia Bohdanowicz has delightedly noted, MS Slavic 7 has caused a minor flutter of interest among the Extremely Online Librarian community, amazed that anyone would make a film titled after a call number at Harvard’s Houghton Library. That collection, from the papers of the Nobel-nominated poet Józef Wittlin, includes two dozen-odd letters sent to him by his fellow poet and fellow Polish exile Zofia Bohdanowiczowa, Bohdanowicz’s great-grandmother and namesake. Within the world of MS Slavic 7, though, Bohdanowiczowa is the grandmother of Audrey, the character played by Deragh Campbell. Audrey is a recurring character in what now must […]
by Mark Asch on Apr 1, 2019 -
Short Film Premiere: Francesca Coppola’s Jonny Come Lately
“What can be said of a connection that seems to border on captivity? Where does the line between violence & intimacy exist?” That’s how Francesca Coppola introduces her sophomore short film, Jonny Come Lately, further described as focusing on “a fragile, complicated, volatile union between two lovers.” The film features Deragh Campbell, Kentucker Audley and Evan Louison, it was shot on 16mm, and it premieres online today via Filmmaker and courtesy of 1985. Last year, Coppola wrote about her film on the occasion of its Kickstarter launch. Here, she describes what the film means to her and, hopefully, for you: […]
by Scott Macaulay on Nov 20, 2015 -
Francesca Coppola on Her Kickstarter Project, Jonny Come Lately
Writer/director Francesca Coppola has just launched a Kickstarter campaign for her second short film, Jonny Come Lately. Below, she writes about the short’s themes and issues, her decision to shoot on film and the power of community. Please visit her Kickstarter page and, if you are able to, consider donating. I’m only a few hours away from hitting the launch button on my first Kickstarter campaign to complete the funding for my second film, Jonny Come Lately. There is a whirlwind of feelings at play here and a maelstrom going through my head right now; I’m nervous, exhausted, confused, but […]
by Francesca Coppola on Nov 25, 2014 -
Five Questions with I Used to be Darker Director Matt Porterfield
Though it only arrived three years ago, Matt Porterfield’s Putty Hill, with its unique blend of fiction and documentary and its crisp, patient filmmaking, has already become quite an influential and well-loved piece of the micro-budget cannon. Now Porterfield has returned with I Used to Be Darker, a more formally scripted work that follows a troubled young woman (Deragh Campbell) who moves in with her aunt (Kim Taylor), uncle (Ned Oldham), and cousin (Hannah Gross) in Maryland. The film premieres today in US Dramatic Competition at the Sundance Film Festival. Filmmaker: Tell me a bit about the development process for […]
by Jane Schoenbrun on Jan 19, 2013
