Diane Kruger is a German actress known for her verticality in roles and languages, from Hollywood blockbusters like Troy and National Treasure, to Tarantino’s Inglourious Basterds and international gems like In the Fade, for which she won Best Actress at Cannes. Currently she stars in two television series, The Seduction, a French-language period drama for HBO MAX, in which she plays Madame de Rosemonde, and Little Disasters, a psychological thriller for Paramount+ where she plays a complex, fiercely devoted new mother whose world collapses around her. On this episode, she gives us a peek inside her acting process and the ingredients in the “sauce” that help her do her work, […]
by Peter Rinaldi on Dec 16, 2025
“Long live the new flesh.” The most famous line in any Cronenberg picture, uttered by Videodrome’s Max Renn (James Woods), is also something of a mission statement for much of the Canadian master’s work. The technological and corporeal fuse across his filmography, resulting in new sensations, desires and ways of being in the world. In Videodrome, unusual orifices form, as stomachs become insertion points for violent VHS tapes. Real and virtual worlds blur in eXistenZ as videogame controllers jack directly into spinal cords; more recently, in Crimes of the Future, the surgical removal of surreal organs is the latest form […]
by Scott Macaulay on Mar 18, 2025
Is there anything worse than some other guy going on about the weather? When Angelenos extoll their perpetually sunny climes, it always feels a bit like a reproach to those who live anywhere else. Pacific Northwesterners discuss their persistent rain quietly, as if wearing some old war medal. But journalists in Cannes? What do readers feel when reading reports of how cold and soggy it is in the south of France? Sympathy? Schadenfreude? Or perhaps just disinterest? Despite my suspicion that it is the latter, I still have to go there because, yes, the rain has been the most notable […]
by Scott Macaulay on May 22, 2012