Very high on my list of anticipated works at this year’s Tribeca Film Festival is LoveTrue, Alma Har’el’s follow-up to her stunning documentary, Bombay Beach. For her new hybrid doc, Har’el — a Filmmaker 25 New Face — has followed three very different couples whose behaviors challenge our expectations of what constitutes a love story. She’s also employed actors, who play her real-life subjects past and future selves. Har’el’s work is always provocative, soulful, and rich with stunning images and gorgeous music. Last year, I watched a short work-in-progress cut of this project, and interviewed Har’el. Here she is answering […]
by Scott Macaulay on Apr 11, 2016Raising Bertie follows three young men over the course of five years as they grow into adulthood in Bertie County, a rural African-American-led community in North Carolina. Director Margaret Byrne had originally set out to make a short film about The Hive, an alternative school for at-risk students. But when the school was shut down due to lack of funding, she saw the potential for a broader project about the underfunded rural educational system and how it affects African American boys, in particular. Shot in intimate verité style, the film follows Reginald “Junior” Askew, David “Bud” Perry, and Davonte “Dada” Harrell […]
by Paula Bernstein on Apr 8, 2016Inspired by Diego Echeverria’s 1984 documentary, Los Sures, Living Los Sures is an expansive documentary produced over five years by 60 artists at Brooklyn’s UnionDocs Center for Documentary Art. Premiering online today here at Filmmaker is Álvaro, directed by Alexandra Lazarowich, Elizabeth Dealaune Warren, Daniel J Wilson & Chloe Zimmerman, a short doc about the daily ritual of longtime Southside, Brooklyn resident Álvaro Brandon. Timed to the restoration and Metrograph screening of Echeverria’s cinema verite work, about the largely Puerto Rican and Dominican community of the Southside of Williamsburg, Brooklyn, Living Los Sures consists of 40 short films, the interactive […]
by Scott Macaulay on Apr 7, 2016Now in its third year, Oregon Doc Camp, presented by Women in Film Portland, invites experienced documentary filmmakers to gather in an intimate, informal setting and work on career development. The event will run from May 12-15, 2016 at Silver Falls Lodge and Conference center in Sublimity, Oregon. This year’s programming will be centered around the themes of narrative storytelling and independent distribution, with a three-day program consisting of workshops, lectures, case studies, screenings and a master class, as well as the opportunity to screen works-in-progress. Director Jennifer Grausman, who most recently directed and produced the feature documentary Art & Craft and previously directed and produced […]
by Paula Bernstein on Mar 29, 2016Tribeca Film Festival, I love you but you made a very serious mistake. On Monday, the widely discredited and dangerous anti-vaccination quack Andrew Wakefield tweeted: “Haven’t posted forever. Huge news tomorrow.” Perhaps he hadn’t “posted forever” because the media finally stopped giving him a megaphone. Perhaps once people in America and England began dying of measles, journalists finally realized that the “two sides to every story” approach granted Wakefield was literally killing people. Last I heard, Wakefield was headlining Conspira-Sea, a seven-day cruise where passengers learn about crop circles, chemtrails, yogic flying, ESP and astrology. Good, I thought, that’s where […]
by Penny Lane on Mar 24, 2016It was 1973 and Peter Medak was a hot director on the rise. Following the success of The Ruling Class, which had earned Peter O’Toole an Academy Award nomination the previous year, United Artists offered him Death Wish. But when the studio insisted on casting Charles Bronson instead of Medak’s pick, Henry Fonda, Medak passed on the project. Back in London, Medak ran into his friend Peter Sellers, who asked him to direct his next film, Ghost in The Noonday Sun, which was set to be filmed on the island of Cyprus. Somehow the idea of filming a 17th-century pirate comedy aboard real ships on […]
by Paula Bernstein on Mar 21, 2016DP Alex Lehmann leaps to the director’s chair with Asperger’s Are Us, a documentary about an unusual comedy troupe. With one of its members soon leaving Boston to study abroad, the improv group consisting of four young men on the spectrum prepares for what may be its final performance. Executive produced by the Duplass brothers, the documentary was quickly purchased by Netflix for worldwide distribution. Ahead of Asperger’s Are Us‘s premiere at SXSW, Lehmann discussed acting as his own DP, scrounging for enough cameras to film the climax and following the story. Filmmaker: How and why did you wind up being the cinematographer of your film? What […]
by Scott Macaulay on Mar 15, 2016The MacArthur Foundation, which has supported over 300 documentary films since the mid-1980s, is ceasing grant support for individual documentary film projects. In a change announced on its website, MacArthur writes that it will actually increase its overall support for the documentary field but will do so by supporting partner organizations, many of whom have individual granting programs. Indeed, the announcement redirects filmmakers to POV, Firelight Media, ITVS, Sundance Documentary Fund and Tribeca Film Institute. In the post, MacArthur cites the more expansive work done by these partner organizations, which includes mentorship, editorial advice and audience engagement. From the site: […]
by Scott Macaulay on Mar 4, 2016Premiering online on Vimeo is Unmappable, a short documentary by Diane Hodson and Jasmine Luoma that presents a complicated portrait of an artist and sex offender. Here’s Whitney Mallett writing about the film previously for Filmmaker at the Atlanta Film Festival. The short documentary Unmappable is a portrait of Denis Wood, whose poetic mapmaking challenges the distinction between art and cartography. He also had a sexual relationship with a 16-year-old boy — a friend of his son’s who began living with the family — for which he spent 26 months in prison. Both the story and tone directors Diane Hodson […]
by Scott Macaulay on Mar 1, 2016The SXSW-premiering Rolling Papers, which opens in theaters today from Alchemy, finds a sharp angle to cover the rise of legal weed in the state of Colorado. Even before recreational marijuana use was legalized in Colorado, The Denver Post launched a department devoted to covering the pot beat, “The Cannabist.” It’s by focusing on editor Ricardo Baca and his team of journalists that producer/director Mitch Dickman tells a story that’s about changing cultural mores, the struggles of print journalism, and getting high in the Mile High State.
by Scott Macaulay on Feb 19, 2016