For a film about the end of the world, Mare’s Nest is hardly lugubrious. Then again, you could say the same about Ben Rivers’s entire oeuvre. Few directors who’ve kicked off their careers after the proverbial “end of history” have so assiduously used their cameras to imagine what that might look like; fewer still have pictured the Armageddon as existing somewhere between dystopia and utopia. It can be difficult to tell whether Rivers’s films are post- or pre-apocalyptic, if the solitary figures they often center on—like the old hermit riffing on Darwin’s theories from his dilapidated forest hovel in The […]
by Leonardo Goi on Aug 13, 2025Now that the film has come and gone, I seem to be in the minority of those who thought that David Cronenberg’s A Dangerous Mind, with its viral take on the philosophy of psychology, was his most Cronenbergian film in years. But based on the just-released teaser, perhaps that crown may be more appropriately placed on his upcoming Don DeLillo adaptation, Cosmopolis. Even at only 30 seconds, many of them filled with title-cards, there’s a sense of brainy spectacle here that we haven’t seen in the director’s work in a while.
by Scott Macaulay on Mar 22, 2012