Moviegoing in Los Angeles has never been better, at least not in the 13 years I’ve lived in the city. When covering Slamdance’s move from Park City to LA last year, I listed a host of these either new or newly expanded theatrical offerings. In the year since, American Cinematheque, the undisputed king of repertory cinema in the city (at least in terms of scale), has acquired the historic Village theater in Westwood, with plans to re-open it next year. And Kristen Stewart’s recent purchase of the Highland Theatre is particularly exciting, especially considering that it’s located only one mile […]
by Caleb Hammond on Apr 29, 2026
Returning for its third annual edition, the Los Angeles Festival of Movies boasts a lineup of critical darlings from other festivals, newly-restored global cinema, and even the odd world premiere. Co-founded by Sarah Winshall, producer behind indie gems like I Saw the TV Glow and Good One, and Micah Gottlieb, artistic director of the programming non-profit Mezzanine, LAFM was created in part to respond to a dearth of indie film exhibition in the metropolis. From April 9 through 12, L.A.’s east side will serve as a watering hole for filmgoers in a city that, while integral to the filmmaking ecosystem at large, has been […]
by Natalia Keogan on Apr 9, 2026
Thirteen years ago, I wrote an article for Filmmaker: “Confessions of a Short Film Programmer.” In my introduction, I hinted at the most brutal clichés filmmakers should avoid (uncleared movie posters on the walls, a protagonist drinking from a Jack Daniel’s bottle, revealing a character to be a mime), but I didn’t want to completely wallow in the negative. After all, as a programmer of short films at Sundance, I’m fortunate to have such a cool job, even if it also happens to be the only job I’m capable of doing professionally. Since the publication of that article, the world […]
by Mike Plante on Mar 8, 2018
You’re hopefully familiar with animator Don Hertzfeldt’s fatalistic, sinisterly humorous, one-of-a-kind body of work. Last night The Simpsons let him take over the opening couch gag. The result is a phantasmagoric two-minute short that turns the clan into protozoa and reverses the flow of time. It’s very much of a piece with his recent work as anthologized in 2011’s It’s Such a Beautiful Day. Watch Homer chant “I AM SIMPSON!”; deriders of the show’s deathless downward spiral, you’ll be convinced that The Simpsons is still good for something. If you’re not familiar with Hertzfeldt’s work, you should follow that up […]
by Vadim Rizov on Sep 29, 2014Take that, SyFy Channel! Producer, distributor, Cinemad founder, Sundance programmer and occasional Filmmaker contributor has passed along the second of his “Mike Plante’s Home Movie Show.” In the show notes, he writes: “Sundance 2012 filmmakers Brent Green, Don Hertzfeldt, Nicholas McCarthy and David Zellner go searching for ghosts in Park City. We find some ghosts but learn more about people who want to see ghosts.” If you are paranormally-inclined, check it out.
by Scott Macaulay on Mar 30, 2012