In the hours after I heard of Nicolas Roeg’s death in late November, I wrote on my blog about how confounding and exhilarating it was to be a teenage cinephile in the 1970s, when Roeg was doing what I consider to be his most outstanding work. The notes I posted attracted the attention of a producer for BBC’s World Service, who invited me to do an audio interview. In that interview, I admitted that even as I thrilled to such films as Performance, Walkabout, Don’t Look Now and The Man Who Fell To Earth, I did not, at that time […]
by Glenn Kenny on Dec 20, 2018In this excerpt from the Criterion Collection’s supplements for their now-out edition of Nicolas Roeg’s 1973 Don’t Look Now, Graeme Clifford discusses the fine art of keeping people off-balance without being too obvious about it. “There is a comfortable way of editing, where people want to be unaware of cuts,” he explains. “In most movies, that’s generally the way you want to go. But in this movie, I deliberately cut an unusual rhythm. I would hold shots when there’d seem to be no reason to do so, or I would cut off them too quickly, or I would cut to things that were […]
by Filmmaker Staff on Feb 19, 2015Don’t Look Now Asked by Time to name the sexiest sex scene of all time, three female writers and producers of Showtime’s Masters of Sex came to immediate agreement: Donald Sutherland and Julie Christie’s memorable coupling in Nicolas Roeg’s otherwise entirely scary Don’t Look Now. Simultaneously encompassing lust, despair and forgiveness, the scene shows the married couple passionately overcoming grief and mutual recriminations in their new Venice flat following the drowning death of their young daughter back in England. The scene sparked rumors neither actor was acting — an allegation Roeg has denied — but what makes the scene so […]
by Filmmaker Staff on Jan 21, 2015