The sound of ocean waves links the first two images of Dora García’s Segunda Vez: a crowd of people, standing and watching something unseen in interior darkness, then an ocean cliffside—a “reverse shot” of a totally different space. The waves dissolve into room tone as the third shot cuts to a young man and woman silently regarding each other in a waiting room, then an elderly hand firmly gripping a cane and, finally, an enormous wall clock. None of these seem to share a common space or time; I assumed all would be clarified sooner or later and didn’t worry about it […]