“A unique collision of private and public fantasy took place in the 1960s, and may have to wait some years to be repeated, if ever,” J. G. Ballard said in an interview contained within the 1983 reissue of his experimental novel, The Atrocity Exhibition. In Ballard’s view, the decade’s political and cultural jolts, coupled with the rise of mass media, produced what he called in another interview “a peculiar psychological climate…” a “landscape around us that was almost like a gigantic novel; we were living more and more inside a strange, enormous work of fiction.” Eloise, the 18-year-old heroine of […]
by Scott Macaulay on Oct 11, 2021Now entering their sixth decade of steady musical production, Sparks—brothers Ron and Russell Mael’s remarkably enduring musical project—has proved equally alienating to multiple generations of American listeners no matter what phase they were in. During the very first days of MTV, clips for their Moroder-produced “No. 1 Song in Heaven” and “Try-Outs for the Human Race” were in regular rotation (if only because there was so little else to show). But when not involuntarily exposed to them, American audiences rejected Sparks whether in their glam, disco, ’90s synth or 2002-and-onwards minimalist keyboard-loops periods—especially true of the latter, their longest-lasting mode to […]
by Vadim Rizov on Jan 30, 2021Writer and director Edgar Wright has long been a fan of mixing tones and genres in his movies, from his celebrated feature debut Shaun of the Dead and its unofficial companion pieces (Hot Fuzz and The World’s End) to the graphic novel adaptation Scott Pilgrim vs. the World. All of those movies were at least partially, if not primarily, comedies, and Wright’s latest film Baby Driver, which shares its title with a memoir by Jan Kerouac (Jack’s daughter), has plenty of verbal and visual laughs scattered throughout its narrative. This time, however, the laughs coexist with an emotional weight that’s […]
by Jim Hemphill on Jun 16, 2017Thanks to our friends at Focus Features, Filmmaker has three prize packs to give away to mark the upcoming August 23 release of The World’s End, the conclusion of Edgar Wright’s “Cornetto trilogy.” The sci-fi-tinged comedy, starring Wright’s regular cohorts Simon Pegg and Nick Frost, is about a group of high school friends who reunite 20 years on to try and complete an epic pub crawl, but find that their old hometown is not as they remember it. So, if you would like a prize pack comprised of a special The World’s End T-shirt and pint glass (see below), simply […]
by Nick Dawson on Aug 7, 2013“In Production” is a regular column which focuses on notable independent films that are currently shooting. If you would like your film to be included in this space, please send an email to nick@filmmakermagazine.com Marking the third installment in his “blood and ice cream” trilogy following the insanely re-watchable Shaun of the Dead and Hot Fuzz, writer/director Edgar Wright reteams with co-writer/star Simon Pegg for The World’s End. The film, which follows a group of friends who decide to go on an epic pub-crawl during humanity’s final hours, stars Pegg alongside regular sidekick Nick Frost. The cast also includes Paddy […]
by Byron Camacho on Sep 20, 2012Brit Edgar Wright’s film career began when, straight out of college, he wrote and directed his ultra-low budget debut feature, A Fistful of Fingers (1994), an affectionate comedic homage to spaghetti westerns. The film played a few festivals, and was enough of a success to get Wright work directing sitcoms and sketch shows, where he worked with many of the best British comic performers around. His friendship with actors Simon Pegg and Jessica Stevenson resulted in the trio creating Spaced, a television series about the oddball residents of a house in London which achieved cult status. The show, which playfully […]
by Nick Dawson on Apr 20, 2007