A.M. Lukas’s short, One Cambodian Family Please For My Pleasure, based on a true story, was produced for Refinery29’s Shatterbox series and has won awards at Edmonton International Film Festival, Rhode Island International Film Festival and SCAD Savannah Film Festival. It plays Sundance beginning January 24 in Shorts Program One. Here, writer/director Lukas tells the story of the perilous song-and-dance that occurred when her star, Emily Mortimer, had to bail out of the film at the last minute — and the lessons learned from the experience. After reading, check out the short itself below. It’s a sticky September day in […]
by A.M. Lukas on Jan 24, 2019Emily Mortimer is perhaps best known for her role as MacKenzie McHale in Aaron Sorkin’s beloved HBO series The Newsroom. Some of her other memorable performances are in Woody Allen’s Match Point, Martin Scorsese’s Shutter Island and Hugo and, as Phoebe, Jack Donaghy’s love interest, on the NBC series 30 Rock. In this hour she talks extensively about one particular, powerful scene in her breakout film, Nicole Holofcener’s Lovely & Amazing (which earned her an Independent Spirit Award for Best Supporting Actress), and about what it was like to play a character named “Emily Mortimer” in her HBO series Doll […]
by Peter Rinaldi on Apr 24, 2018Currently running at the Tribeca Film Festival’s Virtual Arcade, Broken Night is a psychological thriller featuring a quarrelling couple (Emily Mortimer and Alessandro Nivola), an intruder and a handgun. Distilling these elements into 11 taut minutes, the piece throws viewers not just into the action but into the unsteady point-of-view of the short’s protagonist, the wife played by Mortimer, who is trying to reconstruct the events of one violent evening for an investigating police detective. Using a VR headset and browser-based player, Broken Night allows viewers to slip in and out of the wife’s POV, making for her character the […]
by Scott Macaulay on Apr 24, 2017Type the words “never hire” into Google and it autocompletes an admonition anyone entering business has certainly heard. Indeed, working with your friends — not in the collaborative way we as filmmakers work together but rather with friends as your employees, having them roll your calls, drive you on errands and maybe even pick up your dry cleaning — is usually a recipe for professional and personal disaster. But while the combination of friendship and the employer/employee relationship can produce profoundly icky moments, that ickiness can also be the stuff of great humor and nuanced drama, as is the case […]
by Scott Macaulay on Mar 25, 2014RYAN GOSLING DINES WITH PAUL SCHNEIDER, EMILY MORTIMER AND “BIANCA” IN CRAIG GILLESPIE’S LARS AND THE REAL GIRL. COURTESY MGM. Leading up to the Oscars on Feb. 24, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Nick Dawson interviewed Lars and the Real Girl director Craig Gillespie for our Director Interviews section of the Website. Lars and the Real Girl is nominated for Best Original Screenplay (Nancy Oliver). In one of the more unusual coincidences on this year’s movie release schedule, Craig Gillespie has seen his first […]
by Nick Dawson on Oct 12, 2007