With Rick Alverson’s Filmmaker-recommended The Mountain opening today in theaters, we’re debuting this edition of Not Getting Stoned with Caveh featuring the Virginia-based auteur and his blissed-out interlocutor, Caveh Zahedi. Re the “not,” Alverson disdains pot smoke, allowing Zahedi to puff in his presence but not exhale. Topics discussed: why filmmakers talk about financing all the time, whether cinema produces a physiological response in our bodies that can’t be adequately described in words, and how Alverson thinks about his own filmography.
by Scott Macaulay on Jul 26, 2019Every cinephile knows the curatorial bliss of a great double feature. A flexing of film nerd muscles while sitting on your ass for three to five hours, a double bill brings two films into dialogue with one another based on style, subject, theme, or whatever connective tissue you can find. Double features, like well-sequenced mixtapes, require the instincts of a programmer. Thanks to streaming, digital rentals, and the perennial ease of sneaking into a second film at your local AMC, the work of making a double bill happen has never been easier. Below, I rally through 10 great double features from […]
by Soheil Rezayazdi on Jan 5, 2016He may not be your bag, but it’s tough to deny that Andrew Bujalski is one of the most distinctive American independent filmmakers working today. So distinctive that even when he sets his sights on the pseudo-pedestrian genre of the romantic comedy, he finds a way to completely reconfigure the shape of its central love triangle. In Results, Trevor (Guy Pearce) is an Australian in Austin who owns the Power 4 Life fitness studio, living and breathing his own advertising mantras about self-improvement. The recently divorced, suddenly rich Danny (Kevin Corrigan, brilliant) is new in town and eager to buy […]
by Sarah Salovaara on Jan 29, 2015Let’s all be inspired by Rick Alverson and agree to ban the very concept of “sympathetic character” from our movie-viewing brain. We’re all fixated on this idea, that we have to “like” characters and “connect” to them. Instead, let’s just decide to be interested in watching what is put before us, and let’s let ourselves enjoy having our expectations for how we want to feel while we’re sitting in a movie theatre get subverted once in a while. Alverson — a musician as well as a filmmaker — has made three feature films before this, his latest, Entertainment. Each one […]
by Alicia Van Couvering on Jan 25, 2015