esther robinson
-
How Do Producers Get Started? Full Frame’s 9th Annual A&E IndieFilms Speakeasy, “The Pathway to Producing”
Filing into the lobby of the comfortably chic Durham Hotel at noon on a Saturday for “The Pathway to Producing,” an A&E IndieFilms Speakeasy panel moderated by Ian Kibbe (Raising Bertie) of the Documentary Producers Association, it struck me that the Full Frame Documentary Film Festival is one of those rare fests, nonfiction or not, with genuine audience diversity. While one would expect people of color to show up for the always packed #DocsSoWhite discussions (of which there were two this year), non-white folks also fill the house for the conversations that have nothing to do with race or gender […]
by Lauren Wissot on Apr 16, 2019 -
Disclosed: Producers and Therapists on Dealing with the Stress of a Demanding Profession
There’s a simple definition of producing that mostly has to do with developing and financing a production, overseeing the shoot, protecting a vision. But scratch a little deeper, and producers will open up with more personal responses. Producing is about love, for example — loving the movie, above all, and continuing to love it over the years and decades of its existence. Producing is about support — being everyone’s advocate, from the director to the actor to the crew. Producing is about protecting a vision, yes, but also assuaging the fears of partners who worry that that vision is too […]
by Taylor Hess on Dec 17, 2018 -
Show Me the Money! At DOC NYC, Making Your Skills Pay as an Independent Filmmaker
You’re a filmmaker. You’ve made one or two films, maybe even more. Or maybe you’re working on your first one and trying to figure out how to build a sustainable career. For now, you’re struggling: struggling to make ends meet, to find work that utilizes your skills, to keep your head above water while also finding the time, the energy, and the resources to work on your next project. If this sounds like you, welcome to the club. You’re not alone. Producer and director Esther Robinson led a panel discussion at DOC NYC about how to sustain yourself financially, while […]
by Audrey Ewell on Nov 22, 2016 -
5 Broken Cameras and Detropia Top Cinema Eye Honors
At the Museum of the Moving Image last night, Emad Burnat and Guy Davidi’s 5 Broken Cameras took the headlines at the Cinema Eye Honors by taking the top prize, Outstanding Achievement in Nonfiction Feature Filmmaking, while Heidi Ewing and Rachel Grady’s Detropia also took two prizes, for directing and score. Jason Tippet and Elizabeth Mims (2012 “25 New Faces” alums for their film Only the Young) won Best Debut Feature, while a slew of acclaimed 2012 docs such as Chasing Ice, How to Survive a Plague, Bully, The Imposter and Searching for Sugar Man picked up statuettes too. With the announcement this morning […]
by Nick Dawson on Jan 10, 2013 -
Esther Robinson, A Walk Into The Sea: Danny Williams And The Warhol Factory
ANDY WARHOL AND DANNY WILLIAMS IN DIRECTOR ESTHER ROBINSON’S A WALK INTO THE SEA: DANNY WILLIAMS AND THE WARHOL FACTORY. COURTESY ARTHOUSE FILMS. Esther Robinson has an effusive passion for cinema that is infectious, and has led her to dedicate her career to helping artists and filmmakers. She studied film and television at NYU’s Tisch School for the Arts, and at the age of only 24 produced Alive TV, a television show for PBS about alternative and experimental film. In 1998, she started Wavelength Releasing, a company established to explore new ways to make, distribute and show movies, which was […]
by Nick Dawson on Dec 14, 2007
