With credits on high-profile TV series like Suits, Star Trek: Discovery and Billions, writer-director Chloe Domont had experiences in the entertainment industry where she felt like she had to adapt to the boys club. Those experiences, as well as the fear of all she could lose if she didn’t play along, were front of mind when she was crafting Fair Play, an intense, high-stakes and increasingly nerve-wracking relationship and workplace drama with notes of ’90s erotic thrillers. But in no way did Domont want to use the film industry as a backdrop for her masterful feature directorial debut. “That would […]
by Tomris Laffly on Sep 20, 2023The Gotham Film and Media Institute, Filmmaker‘s publisher, announced today the programming for its 2023 Variety Gotham Week, taking place October 2 – 5th in New York City. In addition to three screenings and filmmaker conversations, the event will include The Expo, “a thought leadership program hosted by The Gotham’s Expanding Communities partner organizations specifically covering the topics of advocacy and career advancement for film & media creators.” From the press release: The Expo will launch with a panel taking an in-depth look at The Inclusion List hosted by the USC Annenberg Inclusion Initiative in collaboration with Adobe Foundation. Organizations […]
by Filmmaker Staff on Sep 7, 2023Selling to Netflix for $20 million after an intense bidding war at this year’s Sundance Film Festival, a trailer now arrives for Fair Play, the feature debut from writer-director Chloe Domont. Starring Phoebe Dynevor and Alden Ehrenreich, the film follows “an unexpected promotion at a cutthroat hedge fund [that] pushes a young couple’s relationship to the brink, threatening to unravel far more than their recent engagement.” The film was produced by Ram Bergman and Rian Johnson through their production company T-Street. Fair Play will hit select theaters on September 29 before streaming on Netflix on October 13. Watch the trailer […]
by Filmmaker Staff on Aug 8, 2023Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? One of our sets burned down the week before we were supposed to film there. It was a bar location at a theater warehouse. We were like, “Okay, what now? We don’t have a set.” It was also tricky because we were filming at another part of that location already, and another company move would have killed us that day. […]
by Filmmaker Staff on Jan 26, 2023The subject of a bidding war after its premiere before selling to Netflix for a reported $20 million, Chloe Domont’s twisty thriller Fair Play owes much to the work of editor Franklin Peterson in establishing the deliberate pace necessary to suck viewers in. Below, he offers (spoiler-free!) insights on his work on the film. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Peterson: I was offered an interview with Chloe, the writer-director, for the position, as she responded to my […]
by Filmmaker Staff on Jan 25, 2023