Frederick Wiseman
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“I’ve Always Been Interested in Making My Own Version of Goodbye Dragon Inn: Director Carson Lund on His Cannes-Premiering Eephus
“Please stop me if any of the terms don’t make sense.” A few days before his feature debut, Eephus, will premiere in the Directors’ Fortnight, Carson Lund is sitting on a rooftop terrace in Cannes and worrying I may not catch all the jargon. Understandably. A chronicle of the last baseball game played at Soldiers Field in Douglas, MA before the grounds will be paved over and replaced by a middle school, the chat’s testing my—admittedly limited—knowledge of the sport. Yet how you’ll respond to Lund’s wistful film won’t depend on your level of inside baseball. It will depend on […]
by Leonardo Goi on May 19, 2024 -
The Passionate Epicures: The Taste of Things Director Tran Anh Hung Interviewed by Frederick Wiseman
A long-gestating passion project for Tran Anh Hung, The Taste of Things takes as its starting point Marcel Rouff’s eccentric, echt-French novel The Life and Passion of Dodin-Bouffant, Gourmet, which follows Dodin-Bouffant in the wake of the death of his longtime cook and occasional sexual companion Eugénie. For his adaptation, Hung retains a few of the book’s incidents but otherwise chooses to tell the story of Dodin-Bouffant and Eugénie’s life before the novel starts. A period romance set in 1889, Taste begins with a lengthy sequence of pure cooking—when I saw the film at Cannes, a woman behind me moaned […]
by Filmmaker Staff on Dec 15, 2023 -
“The Natural World Is a Savage Place”: Frederick Wiseman on A Couple
Frustrated by her marriage, Sophia Tolstoy addresses her husband Leo in a series of letters that veer from bitter to defiant to pleading. Delivered by the French performer Nathalie Boutefeu, the letters and diary entries detail years of resentment and misunderstandings. A Couple marks a rare turn to narrative filmmaking by Frederick Wiseman, one of the world’s great documentarians. Shot over 17 days by Wiseman’s longtime collaborator John Davey—largely on Belle Ile, an island off the coast of Brittany—the film sets Sophia’s turmoil against the plants and animals that form a seaside garden. Wiseman spoke with Filmmaker before a screening […]
by Daniel Eagan on Nov 10, 2022 -
Venice Film Festival Announces 2022 Lineup
The lineup for the 79th Venice Film Festival is now live, one day after Noah Baumbach‘s adaptation of Don Delillo’s novel White Noise was announced as the opening night film. The films announced today include Andrew Dominik‘s Blonde, Darren Aronofsky‘s The Whale, Joanna Hogg‘s The Eternal Daughter, recently jailed Iranian director Jafar Panahi‘s No Bears, Frederick Wiseman‘s narrative turn A Couple and more. White Noise marks the first time that a Netflix film serves as the festival’s opening night film. The streamer is also present with Dominik’s Blonde, the Nicolas Winding Refn mini-series Copenhagen Cowboy and Alejandro González Iñárritu’s Bardo (or False […]
by Filmmaker Staff on Jul 26, 2022 -
Showing the Work: On Frederick Wiseman Subject Marty Walsh, Now the Biden Administration’s Secretary of Labor
If you live outside New England, and if you saw the movie, Frederick Wiseman’s City Hall (2020) was probably your introduction to Boston Mayor Marty Walsh, recently nominated to serve as Secretary of Labor in the Biden administration. And it’s a sustained introduction at that. Onscreen for about 45 of the film’s 272 minutes, Walsh is the living center of City Hall’s structure. Wiseman returns to his prepared remarks and public appearances like a buffer between less formal scenes of office talk and offsite labor, framing the mayor kind of like the loudspeaker in M*A*S*H (1970)—that is, if it had […]
by Jake Mulligan on Feb 10, 2021 -
“I Learned From the First Film Exactly What He Wants”: Jon Davey, Frederick Wiseman’s Longtime DP, Speaks
In another life, John Davey could have been a doctor. He was studying to become one in 1966 when a mining disaster struck the Welsh village of Aberfan, some 20 miles from his campus. Davey heard the news and set off to volunteer with a group of fellow med students. They didn’t know it at the time, but the avalanche had hit an elementary school, burying more than 100 children alive. Their job, it turned out, was to retrieve the bodies. The experience rattled Davey, who was just 19 at the time. “I realized,” he recalls now, “I wasn’t really […]
by Soheil Rezayazdi on Dec 17, 2018 -
“It’s Impossible to Predict [an Audience’s] Reactions, and I Make No Effort to Do It”: Frederick Wiseman on Monrovia, Indiana and His 51-Year Career
In the last 51 years, Frederick Wiseman has made 42 non-fiction films, plus two fiction features. In a sense, each film is the same: The filmmaker, a sprightly and sharp 88, goes to an institution — or, in a handful of cases, a confined area — with a small crew. (Currently it’s his longtime cameraman John Davey and Davey’s assistant Jim Bishop.) Wiseman doesn’t do research; as he’s said countless times, “The shooting is the research.” He does no interviews. There is no onscreen text describing who is who, or even where is where. He rarely shows any person more than once. […]
by Matt Prigge on Oct 26, 2018 -
NYFF 2018 Critic’s Notebook 1: Monrovia, Indiana, American Dharma
It’s fitting that the first two films I saw at NYFF after returning from TIFF were Frederick Wiseman’s Monrovia, Indiana and Errol Morris’s American Dharma. It’s not that you never hear Our 45th President’s name in Canada (given that we’re at Twitter war with them or whatever the status is), but it doesn’t come up as much; to return to two movies that wrestle with Trump’s America was very much a “welcome home, whether you like it or not” moment. Monrovia is a highlight among Wiseman’s recent work, while Dharma continues what’s basically been a decade-plus downward spiral for Morris; nonetheless, the two pair […]
by Vadim Rizov on Sep 30, 2018 -
“My Approach is More Novelistic than Journalistic”: Director Frederick Wiseman on His Oscar-Shortlisted Doc, Ex Libris: The New York Public Library
Now 87, Frederick Wiseman is showing no signs of slowing down. His most recent documentary Ex Libris: The New York Public Library, which gives an inside look at the esteemed institution, has been shortlisted for the Academy Award for Best Documentary. Staying true to the filmmaker’s distinctive style of organic, no-fuss lensing, with subtle opinions about his subject matter teased out through his editorial process, Wiseman assuredly conveys in this latest work, via 197 minutes of filmic snapshots, the rich intellectual life offered — and symbolized by — the Library and its offering of community events and talks with figures […]
by Tiffany Pritchard on Dec 12, 2017 -
Frederick Wiseman on His Banned Classic Titicut Follies
Straight from its premiere at New York City’s Metrograph theater, the new 35mm print of Titicut Follies screened at Portland’s Northwest Film Center on April 21 with director Frederick Wiseman in attendance. The controversial film portrays the wretched conditions at The Bridgewater State Hospital for the criminally insane in Bridgewater, Massachusetts circa 1967. In unflinching cinema verite-style, Ttticut Follies presents a stark portrayal of the hospital’s predominantly naked inmates as they are mishandled, force-fed, taunted by guards, and locked in empty cells. Titicut Follies was famously banned prior to its planned premiere at the 1967 New York Film Festival. Though Wiseman had gotten the requisite permissions, the state of […]
by Paula Bernstein on Apr 22, 2016
