In the late ‘70s, Henry Corra was attending Franconia College, a small experimental liberal arts school in New Hampshire. While there, he and his classmates watched a film called Grey Gardens. Immediately upon graduation, with a smoking-hot performing arts degree in hand, he made his way to New York City and made a beeline to the offices of Albert and David Maysles, the directors of this film that had galvanized him. He told them he wanted to work for them. They promptly hired him. The first time I met Henry was in 2008 at the International Documentary Festival Amsterdam (IDFA). […]