Hollywood has been transformed. The six major studios — Disney, Warner Bros., Universal, Fox, Sony, and Paramount — have all changed significantly. Few filmmakers understand how profound these changes have been and how they have altered their opportunities. What follows is my review of a recently published book, The Big Picture: The Fight for the Future of Movies, that opened my eyes to the new configuration of studio filmmaking. It was written by Ben Fritz, who has been covering the entertainment industry since 2004 for Variety, the Los Angeles Times and currently the Wall Street Journal. The goal of […]
by Peter Broderick on Jun 18, 2018While pitching Like Me at the Dogfish Accelerator Demo Day last month, Go Infect Films’ Jessalyn Abbott remarked that a complimentary clothing line would compound its release. I was — immediately and regrettably — skeptical. Of the substantial batch of independent films I seek out each year, not one in recent memory has touted more than a poster and the occasional t-shirt. I filed Go Infect’s marketing strategy away as “unusual” and “ambitious.” A couple days later, when the internet was astir with slack-jawed admiration for Her, I read that Spike Jonze’s longtime “collaborator,” Humberto Leon of Opening Ceremony, had created his […]
by Sarah Salovaara on Jan 7, 2014GLAAD, formerly the Gay & Lesbian Alliance Against Defamation released its first annual Studio Responsibility Index (SRI) this week, reporting on the representation of LGBT people in major Hollywood films released by six major movie studios in 2012, including 20th Century Fox, Paramount Pictures, Universal Pictures, Walt Disney, Warner Bros. and Sony Columbia. The results are not very good, and sadly not surprising: – In 2012, of the 101 releases from these major studios, only 14 of them contained characters identified as lesbian, gay, or bisexual (and not a single movie released contained a character who identified as transgender). – Of […]
by Katie Carman-Lehach on Aug 22, 2013Last Sunday, a sold-out audience awarded Francis Ford Coppola a standing ovation when he strolled into the 548-seat Cinema 1 at TIFF’s Bell Lightbox, the new multiplex at the center of the world’s largest film festival after Cannes. To the adoring audience, Coppola smiled warmly and cracked, “I’m very embarrassed I left my black shoes on the plane,” as he sat down at center stage in tan shoes and a dark suit with TIFF Festival Director Cameron Bailey. This event was a rare 85-minute chat directly with his audience and enjoyed all the hype of a red-carpet premiere. In fact, […]
by Allan Tong on Sep 14, 2011