“Truth is stranger than fiction,” as the maxim goes, and that was certainly the case in 2016. Following the election of Donald Trump, the fictional dystopian worlds of The Hunger Games, Westworld, and Black Mirror suddenly seemed pointedly realistic, and our new reality felt mighty strange. Some of the year’s most powerful nonfiction films, including Ava DuVernay’s 13th, Dawn Porter’s Trapped, and Raoul Peck’s I Am Not Your Negro, took on new urgency as civil rights and reproductive rights increasingly came under fire. By intercutting scenes of Trump supporters physically assaulting African-Americans at his rallies with scenes of whites threatening black people during the civil rights movement […]
by Paula Bernstein on Dec 29, 2016This will be my second time participating in IFP Film Week. Last year, I attended with my first film, Hooligan Sparrow, which was in post-production and later premiered at Sundance in January. Before IFP Film Week Last year, I knew nothing about the film industry (and I’m still learning now). Many of the people and companies I met with were unfamiliar to me. Immediately after receiving my meeting schedule, I spent half a day researching who was who, what they did, and what films they worked on. Most of this information was available through simple Google searches. I wrote down […]
by Nanfu Wang on Sep 18, 2016Nanfu Wang makes her debut as a feature film director and cinematographer in Hooligan Sparrow, a documentary profile of human rights activist Ye Haiyan. The film, which participated in IFP’s Filmmaker Lab and the Sundance Institute’s Creative Producing Summit and Lab, is the work of a self-proclaimed “one-woman-band.” Here, Wang discusses her many run-ins with government agents and the intimidation she felt as a filmmaker highlighting political dissent in China. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Wang: When I […]
by Soheil Rezayazdi on Jan 23, 2016In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? This is a not a film that I planned to make. When I started this film, I […]
by Filmmaker Staff on Jan 22, 2016