After so much meta-ness, it was practically relaxing to settle back in the waning hours of this year’s Sundance with a drama as solid and old-fashioned as Jockey. Not unlike The Wrestler, absent the self-consciously Dardenne-ian camerawork, this Southwestern slice-of-life follows an aging athlete – the titular jockey Jackson (Clinton Collins Jr.) – as he confronts the end of his long ride. On the racetrack, at least, although the aggregated damage caused by a series of back injuries now threatens to cripple him, or worse, if he keeps at it. Director and co-writer Clint Bentley, who previously co-wrote and produced […]
by Steve Dollar on Feb 4, 2021Ronny Trocker’s Human Factors follows a family whisked away to their seaside vacation home in an attempt to escape work. During their stay, burglars break into the house, which drives a wedge between parents Nina and Jan. Editor Julia Drack tells us how they achieved the film’s unique eschew of time, moving perspective to perspective between each family member. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Drack: Human Factors is the second feature film by director Ronny Trocker. I […]
by Filmmaker Staff on Feb 2, 2021Ronny Trocker’s Human Factors follows a family whisked away to their seaside vacation home in an attempt to escape work. During their stay, burglars break into the house, which drives a wedge between parents Nina and Jan. DP Klemens Hufnagl explores differentiating the worlds of Hamburg and the Belgian coast. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Hufnagl: As Ronny Trocker’s first feature The Eremites was a co-production with Austria, he was looking for an Austrian DP. It was […]
by Filmmaker Staff on Feb 2, 2021How did events of 2020—any of them—change your film, either in the way you approached it, produced it, post-produced it, or are now thinking about it? Even though many other things happened in 2020, the pandemic was without doubt the most significant event. However, at the moment it is difficult for me to say if it has changed my view on the film in some way. Like most films coming out now, it was written and shot before the pandemic. The post-production was affected by the restrictions, causing some notable delays, but I don’t think it changed the result of […]
by Filmmaker Staff on Jan 29, 2021