Latest News
Andrew Gillis in Werewolf (courtesy of La Distributrice
de Films)
Why I Am Hopeful: Programmer Eric Allen Hatch on the Future of Arthouse Programming
DP Larkin Seiple Breaks Down Every Shot from Childish Gambino’s “This Is America “
Adam Driver and John David Washington in BlacKkKlansman
Cannes Dispatch #5: BlacKkKlansman, The House That Jack Built
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“I Had to Think How to Distill the Spirit of the Book, and Not Try in Any Way to Replicate It”: Rachel Dretzin on Far From the Tree
Jul 20, 2018
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“I Don’t Care If It Never Shows in a Theater”: Steven Soderbergh on sex, lies, and videotape, 4K HDR and the Studio System
Jul 20, 2018
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Back to One Podcast: Actor Theodore Bouloukos Talks “Sleuthing” Out a Character, Diving Into Roles and Childhood Fascinations
Jul 20, 2018
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Kickstarting a “Mezuzah Movie”: Gerald Peary on The Rabbi Goes West
Jul 20, 2018
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Towards Gender-Blind Casting: Conversion Therapist Writer/Director Bears Fonte on Trans Performers
Jul 19, 2018
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Be Everywhere All At Once: The Ultimate Guide to Festivals, Online, & Your Short Film Release
Jul 18, 2018
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Watch: Previously Unseen Behind-The-Scenes The Shining Footage, Including a Kubrick Interview
Jul 18, 2018
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“Filmmakers Know ESPN Better Than Cinema”: DP Sean Price Williams on Shooting The Great Pretender With a DSLR and Today’s Film Climate
Jul 17, 2018
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Joan Micklin Silver on Casting Crossing Delancey and Steven Spielberg’s Role in Getting the Film Made
Jul 17, 2018
