Before she brought the charismatic serial killer Patrick Bateman to life in American Psycho (2000) Mary Harron devised a portrait of another kind of New York pathology with I Shot Andy Warhol (1996). When I went to college, there was a poster for the film hanging in the hallway of the cinema studies building: Lili Taylor, patron saint of 1990s indie cinema, staring down the camera with a gun in her hand. Even then, I knew the story carried a particular charge. Valerie Solanas was the radical feminist who shot the pop artist, nearly killing him, and her 1967 SCUM […]
by Elissa Suh on Jun 15, 2026
[Editor’s Note: The following piece was originally published as the cover story of our Spring, 1996 edition. It appears online here for the first time.] When we invited Go Fish director Rose Troche to interview Mary Harron, the director and co-writer of I Shot Andy Warhol, we hardly anticipated such a happy chain of coincidences. On the subject of bio-pics, Harron’s film explores the political and psychological contradictions of Valerie Solanas, the woman who shot Andy Warhol, while Troche is currently at work developing a film on Dorothy Arzner, perhaps Hollywood’s greatest female director. Both Solanas and Arzner, while ostensibly […]
by Rose Troche on Jul 15, 2019Spring, 1996. It’s so strange now to look back at a piece in this issue by David Leitner on the new digital camera technology and read this bit of breaking news: 1996 will witness the inauguration of prerecorded films on CD-sized Digital Versatile Disks or “DVDs” (you and I will call them Digital Video Disks). DVDs not only doom VHS but also CD-ROMs as we know them for the mere reason that single-sided DVDs store 8.5 gigabytes compared to the puny 680 megabytes of CDs while manufacturing costs are the same. Also in this issue was filmmaker John Landis (yes, […]
by Scott Macaulay on Aug 17, 2010